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“An obvious difference between the two designs was at the bottom end. While the TT1 underperformed a bit down low, the Silver 10 was occasionally a little too eager to chomp into a deep-bass riff. I didn’t dislike this; with a good recording of pipe organ or drums, and without a sub, I often heard more at the bottom end from the Monitors than from the Thiels. The Silver 10s captured more of the organ underpinning the chorus in at least a few passages of the Rutter Requiem and some of his other works on that disc. The Monitors were also better than the Thiels at reproducing the big Japanese drums on recordings by the taiko drumming troupe Kodo, both in the drums’ initial transient impact and the way in which the sound from the body of the instrument reverberated back into the recording space.’