Meze Rai Penta Review

January 23, 2020 § Leave a comment

“I call out this track particularly because it is recorded outside, so it has that kind of dry ambience outdoor recordings have, and it is hyper-detailed and dynamic with fairly gentle limiting. My initial impressions were that the Rai Penta was editorializing a little on the transients – that I wasn’t getting as much impact as some recordings. My impression of this was due to the aforementioned lack of pressure I was hearing on this IEM. The “Woods” track, and say the Peter Dominguez Track “Bossa Nova Nemo” actually have plenty of transient and dynamic information, so I after listening to these I came to a different conclusion entirely. I think what I’m hearing is a what might be considered a very ‘open’ decay characteristic, similarly to the difference between open and closed headphones.”

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