https://www.hifichoice.com/content/fyne-audio-f500

“Much more so than the Revel, the F500 is remarkably sensitive to setup and I play around with toe-in for some time before things begin to gel. This done, the F500 images like a dream, floating solid, three-dimensional images in front, behind and well to the sides of the enclosures, and those in the plane between them are just as well formed and precisely positioned. In this respect it’s better than the more expensive Revel.

I find it lifts the intended impact of all sorts of recordings, from early dense and murky Emerson, Lake & Palmer to Caravan Palace’s studio supercharged Chronologic, not least Leena, the track’s expansion and phase effects bouncing off the walls before the production rolls out a succession of depth-charge synth sweeps to die for.”

https://www.stereophile.com/content/acora-srb-loudspeaker

These aren’t ordinary small two-way monitors. They sound bigger than they are. They are capable of producing an expansive soundstage. They are highly detailed and fast, with a feeling of microdynamic precision and quick-footed effortlessness. They can start and stop on a dime.

Partnering amplifiers should be chosen with care. The VAC tubes worked especially well.

Bass extended deeper than expected and had good clarity and definition—and yet, in my room, the SRB’s tonal balance ran mostly neutral to slightly cool, which makes me think my room was perhaps a little too large for them and/ or could have benefited from more absorption in this setup.

http://www.enjoythemusic.com/superioraudio/equipment/0121/Burmester_B38_Floorstanding_Loudspeaker_Review.htm

Let’s quickly move over to classical music: Here, the B38 knows excellently how to convince even those who don’t like it of the beauty this genre has, for example when the “Concierto de Aranjuez” is played. The fine dynamics demanded here are offered by the Burmester with confidence, in a way that even excites hardened and experienced fans of hi-fi. Depending on the angle and width of the base, the guitars occasionally sounded a bit too strict and minimally tied up, but could easily be brought back onto the path of virtue by small corrections concerning the positioning.

The airiness and generosity in the reproduction of the solo instruments as well as the entire orchestra was convincing as well – fortunately even when one did not enjoy the privilege of taking the central position on the sofa. Thus, even several people can enjoy the quality design together, which consists mainly of the polished aluminum front lacking visible screws and the slim silhouette.

What about the topic of “Rock” though? Nobody has ever doubted that a Burmester speaker can play rock music anyway, right? If you do: look around for a Burmester distributor and listen!