Belden Speaker and Interconnect Cables and BAV Power Cords Review

April 27, 2021 Comments Off on Belden Speaker and Interconnect Cables and BAV Power Cords Review

A word to the smarmy, arrogant types who make ridiculous proclamations in regard to all cables sounding the same, and that there is no “science” behind aftermarket cables. I submit for your education Galen’s nearly three-hour YouTube video of his discussion with the San Francisco Audiophile Society in regard to the science behind cable design and manufacturing. It is an eminently in-depth discussion, and that alone should make skeptics think twice before demonstrating their ignorance. When you have one of the world’s foremost authorities going through the minutia involved, you do best to keep your mouth shut and listen!

Marantz Project T-1 Amplifier Review £30,000

April 26, 2021 Comments Off on Marantz Project T-1 Amplifier Review £30,000

https://www.hifinews.com/content/marantz-project-t-1-amplifier

The amp’s way with textures carries over to each and every instrument, enough to allow you to use a compilation like the tribute, Rattlesnake Guitar: The Music Of Peter Green, as a guide to different guitar models. lt also means that incredibly fine details come through without a fight, with spatial clues so vivid that you can picture the walls of Abbey Road’s Studio 2 when you play the Fab Four. And you will hear vertical images just like the Cheskys said you would. It’s a near- magical experience, restricted only by speaker sensitivity rather than frequency response, driver type or impedance. Still, it has power to burn, compared to a SET.

Usher Audio SD-500 Loudspeaker Review

April 26, 2021 Comments Off on Usher Audio SD-500 Loudspeaker Review

https://www.audiophilia.com/reviews/2020/11/30/usher-sd-500-loudspeaker


It is a major accomplishment the resolution from Usher’s Diamond DMD tweeter doesn’t come with any fatiguing brightness. The tweeter is also well integrated with the woofer and the overall result is a sound that is highly detailed and spacious yet still laid back. This combination makes for an extremely satisfying speaker that is easy to live with for the long term. The stunning fit and finish only sweeten the deal. The Usher SD-500 is an excellent speaker for high performance systems installed in small to medium spaces. To be displayed with pride, listened to with rapture. Highly recommended for connoisseurs of 2-way monitors.

QUESTYLE CMA TWELVE FLAGSHIP DAC/HEADPHONE AMP $1499 REVIEW

April 25, 2021 Comments Off on QUESTYLE CMA TWELVE FLAGSHIP DAC/HEADPHONE AMP $1499 REVIEW

I threw a number of genres and headphones at the CMA Twelve and the results were all good. It is worthy of the flagship moniker. The option of single-ended and two balanced connection styles makes it accessible to a wide array of headphone choices. The switchable BIAS allows for an even wider choice of headphone or two-channel pre-amp options. The DAC is very clear without being overly bright and uses a favorite DAC of mine, the AKM 4490. I came to enjoy the front panel LED layout as it did not take long to be able to glance at it and know the type and bit rate of the file being played. A good thing for a Roon radio user. Given the build quality and track record of Questyle, I would expect the CMA Twelve to have pride of place in your headphone listening space for many years to come. Highly recommended.

Bowers & Wilkins 705 Signature Loudspeakers Review

April 25, 2021 Comments Off on Bowers & Wilkins 705 Signature Loudspeakers Review

https://www.soundstagehifi.com/index.php/equipment-reviews/1526-bowers-wilkins-705-signature-loudspeakers

Downie’s s sounds were accentuated by the B&Ws but not by the Revels. The 705 Signatures’ extra treble energy occasionally caused some distraction, so for this part of the audioband I pick the M126Be’s. It’s also important to note that I listen at fairly high volumes (90-95dB SPL, C-weighted). Turning down the volume by 10dB does tame excessive sibilance in speakers, such as the 705 Signature, that lean toward a bright sound—then again, the 705 Signatures brought out top-end details that a more neutral speaker might obscure a bit more. So consider your own listening preferences when narrowing down your speaker choices.

But when I played Vanessa Fernandez’s recording of “Here But I’m Gone,” which does not suffer from excessive treble and/or sibilance, I found myself choosing the B&Ws. In the opening kick-drum thumps, the B&Ws produced more output and extension while retaining all their solidity and punch, without bloat or overhang. Through the B&Ws Fernandez’s voice sounded light, surrounded by more air; through the Revels it was a bit more meaty and rich. When the recording played didn’t possess extra treble energy and/or sibilance, I preferred the extra bit of presence and delicacy I heard in the B&Ws’ midrange.

McIntosh MC1.25KW | FOCAL Scala UTOPIA Evo

April 25, 2021 Comments Off on McIntosh MC1.25KW | FOCAL Scala UTOPIA Evo

Schiit Audio Vali 2+ headphone amplifier Review

April 24, 2021 Comments Off on Schiit Audio Vali 2+ headphone amplifier Review

https://www.stereophile.com/content/schiit-audio-vali-2-headphone-amplifier

I do not report these tube-rolling observations to criticize the Vali 2+’s performance as delivered and tested, nor to second-guess Stoddard’s choice of tube. The new-old-stock GE/CGE 6BQ7A is a tube of the highest quality. The stock Vali 2+ is an excellent amp, which exceeded my highest expectations. I mention this little tube-rolling experiment to remind everybody that, just as Jason Stoddard suggested in this column’s opening quote, experimenting with tubes is the Vali 2+’s raison d’être.

GRYPHON AUDIO DESIGNS ESSENCE PREAMP AND POWER AMPLIFIER £20,299 REVIEW

April 24, 2021 Comments Off on GRYPHON AUDIO DESIGNS ESSENCE PREAMP AND POWER AMPLIFIER £20,299 REVIEW

Gryphon Audio Designs Essence preamp and power amplifier

Some good systems remind you of why you got into audio in the first place and while the Essence does that well, more importantly it reminds you why you got into that piece of music in the first place. This is no small feat; often those of us who have a lot of musical miles on the clock can get a bit jaded by it all (especially when playing test discs); many tracks in your collection have been overplayed to the point where the excitement and the musical intent have been worn away. The Essence strips away those years and presents your music anew. It doesn’t trigger memories of that first time you heard Dylan or Joni Mitchell, Led Zep or Beyoncé… it’s like it’s the first time you heard them, and all that excitement hits you. 

A lot of this comes down to the Essence duo’s remarkable combination of leading-edge performance, powerful dynamic range, excellent detailing, and that aforementioned authority. Music is vibrant, visceral, and red in tooth and claw. This is amplification for people who like to stand and applaud a good performance, and in a year where a good performance is a recording rather than a live event, you might feel a little silly standing up and cheering a CD or a streamed track, but go for it. That’s what the Essence does for you and your music.

JBL HDI-3600 Review

April 24, 2021 Comments Off on JBL HDI-3600 Review

MELLOW ACOUSTICS FRONTRO FLOORSTANDING ELECTROSTATIC LOUDSPEAKER REVIEW

April 23, 2021 Comments Off on MELLOW ACOUSTICS FRONTRO FLOORSTANDING ELECTROSTATIC LOUDSPEAKER REVIEW

Mellow Acoustics FrontRo floorstanding electrostatic loudspeaker

Ultimately, this is a speaker for those who play music in rooms that don’t like loudspeakers! Electrostatics tend to thrive in large rooms, and the FrontRo is the exception. In small to mid-sized rooms where electrostatics usually struggle, the Mellow Acoustics FrontRo delivers a fine standard of performance, especially with speech. I’ve concentrated on vocals in part because the FrontRo shows how poor many loudspeakers are at reproducing the human voice, but it’s not simply designed for speech replay; a loudspeaker that gets the human voice right tends to get music right, and unless you are a fan of trouser-flapping, filling-loosening organ music or genres that include the word ‘dub’ played in barn-sized rooms, this is the antidote to rectangular wooden boxes and the limits they impose on sound

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