Audiophilepure

https://www.soundstagehifi.com/index.php/equipment-reviews/1526-bowers-wilkins-705-signature-loudspeakers

Downie’s s sounds were accentuated by the B&Ws but not by the Revels. The 705 Signatures’ extra treble energy occasionally caused some distraction, so for this part of the audioband I pick the M126Be’s. It’s also important to note that I listen at fairly high volumes (90-95dB SPL, C-weighted). Turning down the volume by 10dB does tame excessive sibilance in speakers, such as the 705 Signature, that lean toward a bright sound—then again, the 705 Signatures brought out top-end details that a more neutral speaker might obscure a bit more. So consider your own listening preferences when narrowing down your speaker choices.

But when I played Vanessa Fernandez’s recording of “Here But I’m Gone,” which does not suffer from excessive treble and/or sibilance, I found myself choosing the B&Ws. In the opening kick-drum thumps, the B&Ws produced more output and extension while retaining all their solidity and punch, without bloat or overhang. Through the B&Ws Fernandez’s voice sounded light, surrounded by more air; through the Revels it was a bit more meaty and rich. When the recording played didn’t possess extra treble energy and/or sibilance, I preferred the extra bit of presence and delicacy I heard in the B&Ws’ midrange.