Auralic Altair G2.1 Review

November 17, 2021 Comments Off on Auralic Altair G2.1 Review

https://stereo-magazine.com/review/auralic-altair-g21-review

Change of scenery: despite all their independence, Michael Barenboim, the “lioness” Martha Argerich and the Staatskapelle Berlin are merged into a single entity when performing Debussy‘s “La Mer”, a unity that is not often offered in such an interlocked way. Here, the Auralic convinces with a very natural reproduction of the grand piano as well as all the instruments of the orchestra. Nothing is discolored or blurred, everything is just right. Localizing the dimensions of left/right and front/back is possible thanks to a precise layout of the different elements. The size of the room, created at the mixing console, can also be understood perfectly.

Sometimes, I have to please my sense of local patriotism for my hometown of Cologne. This time, I had to go on a nostalgia trip and found what I was looking for in a live recording of the Cologne cult band “Piano has been drinkin‘”, long since disbanded. Neither “Daach sin Juwele” nor “Anfürsich es et Blues” depend on an exuberant number of details nor on richness of tonal colors. Rather, they rely on the atmosphere and the joy of playing, as well as the almost physically perceptible stage presence of frontman Gerd “Jächt” Köster with his rough and deep voice and the band‘s ability to improvise. Here, too, the Auralic presents a convincing performance, as it does with “Ruude Jolf”, where all the ingredients necessary for an emotional rendition are found, including the relaxed playing of the bass.

Aperion Super Tweeters Overview

November 17, 2021 Comments Off on Aperion Super Tweeters Overview

DENAFRIPS Terminator II DAC Review

November 17, 2021 Comments Off on DENAFRIPS Terminator II DAC Review

Alta Audio Alyssa Loudspeaker $5000 Review

November 16, 2021 Comments Off on Alta Audio Alyssa Loudspeaker $5000 Review

https://www.audiophilia.com/reviews/2021/10/18/nxcnsx8u0t6lc929c817vjasyy5g0c

Right away I knew I had a problem, the voluminous bass was overwhelming my modest listening room. It was troubleshooting time. So began a week of experimentation, first moving the speakers out significantly from the wall inch by inch (in the end I settled on 25 inches) and experimenting with various degrees of toe-in. I also experimented with the provided port plugs. Fully inserting the plugs seemed to make the speakers too anemic, inserting them about halfway was a much better compromise and will likely be the recommended route for anyone with a room smaller than mine, but I still favored the sound sans plugs, and changes in positioning helped balance things out. Image was the widest with no toe-in, but toeing the speakers in just a tad did help make the midrange more present. With the tricky positioning of this unique speaker mostly sorted, I sat down and did my best to analyze how these speakers portrayed music.

REL T/9x Subwoofer Review

November 16, 2021 Comments Off on REL T/9x Subwoofer Review

REL T/9x Subwoofer


As mentioned, each of the three models in the /x series provide a similar voice and level of resolution. The one (or pair) you choose will depend heavily on how low your main speakers can extend, the volume of your listening room, and ultimately how loud you play music.

Moving up to the Serie S subs brings more refinement in every aspect, though at a higher cost. If you are looking for a high performance, yet compact and cost-effective way to add low frequency extension, the REL T/9x is fantastic. The T/x subwoofers are meant to be used as single subwoofers or in pairs, they can’t be expanded to six-pack array service. This may be your ultimate decision when trying to decide between a pair of T/9x’s and a single S510. If you want bang for the buck, and a minimal box compliment, the T/9x will serve you well. Higher audiophile ambitions? Maybe the S/510. Or, just put the T/9xs in another system. I can spend your money all day.

How It’s Made – turntables

November 16, 2021 Comments Off on How It’s Made – turntables

Sony WF-1000XM4 Noise-Canceling $280 Review

November 15, 2021 Comments Off on Sony WF-1000XM4 Noise-Canceling $280 Review

https://www.soundandvision.com/content/sony-wf-1000xm4-noise-canceling-true-wireless-earbuds-review

Sony continues to raise the bar for filtering out ambient sound, with the 1000XM4 eliminating more external noise than nearly every other noise-canceling bud I’ve auditioned. But the 1000XM4 has the same flaw I’ve encountered in all noise-canceling buds save the Bose QC: wind noise. You’ll hear some whooshing through the external mics if you’re walking through 10MPH or higher gusts, or especially when bike riding or running outside. Sony’s Ambient Sound Control lets you turn noise canceling on and off and switch between plain noise canceling and automatic wind noise reaction, but I couldn’t detect a difference between the two.

Borresen 05 Loudspeaker Review

November 15, 2021 Comments Off on Borresen 05 Loudspeaker Review

Avantgarde

November 15, 2021 Comments Off on Avantgarde

Fyne Audio F1-8 Review

November 14, 2021 Comments Off on Fyne Audio F1-8 Review

The in-room measured frequency response at 1-meter was extended in the treble to at least 20kHz and fairly uniform to a bit below 300Hz, where room modes began to dominate the response. The lower midrange was slightly recessed, mainly through the power range of the orchestra, covering the octave from 200 to 400Hz, which is pretty typical for stand-mount speakers. In-room bass extension was reasonably flat to about 45Hz. The measured impedance minimum was about 6 ohms, which translates into a tube-friendly, easy-to-drive 8-ohm nominal load. The rated sensitivity is 91dB, which means that even a 30–50Wpc power amp should do fine. Setup was quick and simple: For best imaging be sure to allow a few feet of breathing space behind the speakers, and toe them in so that the driver axes intersect in front of the listening seat.

As the audio gods would have it, I happened to be listening to the Tannoy System 1000 studio monitors when the Fyne F1-8 arrived on my doorstep. This late 90s Tannoy design features a 10-inch coaxial driver and conventional bass-reflex loading. In my estimation, that entire series represents the last great set of passive studio monitors marketed by Tannoy. I was quite interested to find out if Dr. Mills was involved in the System 1000’s design, so I asked him about it. His response: “Yes, indeed, I was involved with those monitors. Those things can rock.” And we certainly agree on that score.

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