Schiit Audio Bifrost DAC & Lyr+ Headphone Amplifier $599 Review

August 11, 2022 Comments Off on Schiit Audio Bifrost DAC & Lyr+ Headphone Amplifier $599 Review

I’ll be interested to get my hands on a Lyr+ and see what it does in the event of tube failure as I have not seen a full description of the tube sensing mechanism (how the Lyr+ determines that a tube is present).

The 6SN7 is a fairly common tube but good ones are becoming harder to find, and the prices are certainly climbing. The $599 USD price will turn out to be a good value once tube prices become sane again and users can use the Schiit Lyr+ as a line stage with active loudspeakers or a power amplifier.

Fir Audio Neon 4 / Krypton 5 / Xenon 6 Frontier Series Review

August 11, 2022 Comments Off on Fir Audio Neon 4 / Krypton 5 / Xenon 6 Frontier Series Review

Astell&Kern Pathfinder IEM:$1,900 Review

August 10, 2022 Comments Off on Astell&Kern Pathfinder IEM:$1,900 Review

There was no surprise that the Astell&Kern DAPs provided a slightly warmer and more organic sound than the Sony which leans more towards being analytical sounding.

Both the RME and Aurora offered similar sonic signature with a bit less warmth than the Astell&Kern DAPs but a touch more than the Sony. The best pairings were the Astell&Kern SP2000 and Yulong Aurora that struck the best balance between color, texture, and detail overall.

MEZE AUDIO LIRIC HEADPHONES REVIEW

August 10, 2022 Comments Off on MEZE AUDIO LIRIC HEADPHONES REVIEW

The Meze LIRIC is a fine, high-end headphone that meets its design goals and should please audiophiles who want to take a fine-sounding closed-back planar headphone on the road or even across the room.

THE WAND 14-4 TURNTABLE REVIEW & GOLDRING 1

August 10, 2022 Comments Off on THE WAND 14-4 TURNTABLE REVIEW & GOLDRING 1

Grado RS1x $750 Review

August 9, 2022 Comments Off on Grado RS1x $750 Review

https://www.whathifi.com/us/reviews/grado-rs1x

That the RS1x are dynamically gifted isn’t a surprise considering their open-back design, which is also why you won’t get as much bass depth as closed-back models typically offer. What acceptable levels of bass you do get, though, are textured and delivered with the same pleasing agility as the rest of the frequency range.

Going up in Grado’s range rewards you with greater subtlety and refinement, but the X Drivers have bridged the gap somewhat and we’re very fond of their exceptional clarity and fleet-footed musicality. We do actually find that you can make small gains in refinement and get slightly more bass presence by swapping the RS1x’s sponge on-ear earpads with the larger ‘over-ear’ versions that are supplied with the Statement Series but also available to purchase separately – a small upgrade, in our minds, but arguably worth it for the modest extra outlay.

Synthesis Metropolis NYC 200i Integrated Amplifier Review

August 9, 2022 Comments Off on Synthesis Metropolis NYC 200i Integrated Amplifier Review

https://www.hifinews.com/content/synthesis-metropolis-nyc-200i-integrated-amplifier

Enter Frank Zappa. ‘Peaches En Regalia’ from The Mothers 1971 [Zappa ZR20038] provided an alternative in that it was recorded at the Fillmore East, so it has a live rather than studio acoustic, while the music is loaded with cacophonous notes. Though far removed from the highly disciplined, note-perfect Sinatra performances, the Zappa recordings share a demand for the convincing recreation of space. Zappa’s guitar floated just right of centre, while the frantic percussion dominated the left. What stood out among the NYC 200i’s primary strengths, though, was the incredible stage depth.

I long ago stopped being a soundstage fetishist, cognisant of how many mono recordings I played, but the antics of Zappa and Co throughout the concert involved enough left-right movement to remind me of early stereo LPs and tapes. What this did for the listening experience, as a challenge for the NYC 200i’s abilities, was to spread out the audience noises – even in stereo, not 5.1 surround – with an effect that reminded me of early Cinerama. This wasn’t a wide but flat, 2D soundstage; I’ve already praised its depth. Rather, with the Fillmore recordings, it reproduced an arc, the sound extending beyond the speakers’ edges.

Why is that so important? Just as the vivid, lifelike warmth and textures of the Frank Sinatra recordings added to the sense of ‘being there’, so did the NYC 200i’s near-enveloping soundstage increase a sense of involvement. No, I wasn’t present 51 years ago when the Mothers performed at the Fillmore. But, hot damn! This amplifier did a remarkable job of transporting me there.

Boulder 2050 Monoblock Amp

August 9, 2022 Comments Off on Boulder 2050 Monoblock Amp

Can DSP fill in woofer dips?

August 9, 2022 Comments Off on Can DSP fill in woofer dips?

Pass Labs X260.8 Monoblock Amplifiers $14,250 Review

August 8, 2022 Comments Off on Pass Labs X260.8 Monoblock Amplifiers $14,250 Review

My ears were trained years ago, late at night, in dark recording studios. I listened to thousands of hours of music, through the iconic Yamaha NS-10 studio monitors. The NS-10s were legendary in their transparency. No musical sin could hide from these speakers. None. If there was a problem, the NS-10 would reveal it. The Pass Labs X260.8 monoblock amplifiers remind me of these speakers.

If you love power, grace, transparency, and (if you move your equipment around a lot) occasional back pain; I highly recommend you demo a pair of the Pass Labs X260.8 monoblock amplifiers or any of the Pass Labs .8 series amplifiers. You will not be disappointed. Highly recommended!

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