Audiophilepure

https://www.hifinews.com/content/wilson-audio-sasha-v-loudspeaker

 I had already been captivated by the Sasha V’s transparency, clarity, openness, speed, imaging capabilities and freedom from artifice. What I needed more of was the sheer command imparted only by deep, extended, rock-solid bass. For the life of me, I cannot think of anything which betters Kodō drumming, especially when those rich, stygian notes are heard in contrast with flutes.

‘Majestic’ had to make way for ‘incomparable’. The Sasha Vs delivered the most convincing recreation of the Kodō experience I have ever heard. It was – and I say this hopefully without hyperbole or melodrama – truly humbling. Never have those drums appeared so genuinely palpable.

In my recent review of DeVore’s O/baby [HFN Aug ’23], I wrote that only four speakers had moved me to tears: that speaker, Apogee’s Scintilla, the Wilson Sasha DAW, and LS3/5As. Better make that five.

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