Audiophilepure

https://www.stereophile.com/content/triode-lab-2a3-evo-integrated-amplifier

Triode Lab amplifiers employ negative feedback to reduce distortion, stabilize gain, extend frequency response, and perhaps also to lower output impedance—but not a lot. “All our amps have a minimal amount of negative feedback, which is needed for good sound quality, stable performance, refinement, noise control, etc.,” wrote Noam Bronstein. “It also increases reliability and the ability to drive more types of speakers.”

To better understand a designer’s sonic vision, I always ask about their reference systems. Frank Ng’s Triode Lab system is a study in contrasts: Esoteric SACD player/DAC and an Accuphase tuner serve up music on the digital side. A Linn LP12 turntable with a Nagaoka MP300 cartridge spins vinyl. Ng employs a variety of speakers, ranging from single-driver designs to two-way and three-way configurations, with a focus on high-sensitivity speakers including horns. Furutech, Cardas, and Finale cables complete the chain.

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