Audiophilepure

If the source presents a holographic image, the system will reproduce it with excellent accuracy.  This seems to be particularly true in Golden Age Decca recordings.  (Fred is very fond of the Decca sound and views it as a model of fine reproduction.)  However, the imaging can be great with other labels, and with Redbook CDs, and, particularly, with SACDs played through the newly updated EMM DA2i.  (See the recent review published in Dagogo.)

While the system shines with excellent source material, an interesting development in the last few years is that the system accommodates less-than-excellent material as well.  It is almost as if the designers recognized that us listeners would from time-to-time want to listen to some particular musician or piece of music that was simply unavailable in a top notch recording and considered that in the voicing of the gear.  Of course, some records, or CDs, sound so lousy that we take them off rather than endure, but this rarely happens.  It used to happen more.

For serious listening with “life-size” images and at comparable volumes (though not fully life-size, of course – I just mean this as a general descriptor), there is no system that I – personally – enjoy more than this system that I have described that resides down the street from me.  However, in fairness to a few other systems, I can enjoy something different for different circumstances.  For example, I have a library system based around the relatively inexpensive Audio Note AN-K speakers and Oto integrated amp that I relish for less serious, lower-volume listening.  For that matter, I can enjoy listening in the car.  Music fits into my life – as it no doubt does with most readers – in more than one size and flavor.

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