Audiophilepure

https://pt.audio/2025/07/18/yg-acoustics-carmel-3-loudspeakers-review/

Jerome Sabbagh’s Heart has also become an important demo disc for me because it crawls so far into the music or, more accurately, the making of the music. Al Foster’s drumming, in particular, is unusually up-close and personal, especially the way in which he manipulates his cymbals and hi-hat through physical manipulation–it’s evocative of Shelly Manne in its range of unique sounds. Through the Carmel 3s I had the consistent impression that Foster was flanking me, to my right, so close that I could reach out and pat him on the back. We all talk about recordings where the performers feel like they’re in the room with you, but I had more of a feeling that I was up on stage with this gifted trio, trying to keep up with all the magic.

Comments are closed.