Audiophilepure

https://www.stereophile.com/content/eversolo-amp-f10-power-amplifier

When I swapped in the AMP-F10 and idled my Benchmark AHB2 power amp, I noticed right away that the system sounded different, especially in the lowest octaves. The Eversolo brought out usefully more bass weight than I had noticed before, but sometimes it was too much. Turning to the “Bass Test” playlist again, there was a bit too much boom in “Flea” by St. Vincent, from All Born Screaming (24/48 FLAC, St. Vincent/Qobuz) and a lot too much in the remix of Paramore’s “This Is Why” by Foals, from Re: This Is Why (24/44.1 FLAC, Atlantic/Qobuz). But Charlie Watts’s kickdrum in “Honky Tonk Women”—the version from Forty Licks (24/96 FLAC, Polydor/Qobuz)—sounded massively exciting, as if the song’s heartbeat had grown a size or two

Comments are closed.