dCS Lina D/A processor and Lina Master Clock Review
May 1, 2024 Comments Off on dCS Lina D/A processor and Lina Master Clock Review
https://www.stereophile.com/content/gramophone-dreams-84-dcs-lina-da-processor-and-lina-master-clock
I’ve discussed a lot of piano music because the Lina DAC has a special knack for making pianos sound like large, dense structures with a tremendously powerful output, even when playing quietly. This facet of the Lina’s performance suggests it’s delivering musical information that my other DACs are not.
My listening to the Lina led me to ask, not for the first time: Why do CDs sound more there than streams? In my system, the acuter, denser presentation of CDs makes most streamed 16/44.1 files sound blurry and virtual. I’m using a $250 CD player as a transport feeding the Lina’s S/PDIF input and marveling at the obvious, qualitative difference between CD sound and streaming sound. Which one’s better? This is an aesthetic-sensibility question you must answer for yourself. What I know is, I just ordered more CDs.
What makes analog master tapes so mesmerizing is how they present recordings with what feels like complete coherence, as if every magnetic particle is being vacuumed off the surface of the tape. In a similar fashion, the Lina presented recordings with what felt like complete digital coherence. With a teaspoon of analog salt.


Meze Audio Empyrean II $2999 Review
May 1, 2024 Comments Off on Meze Audio Empyrean II $2999 Review
https://www.whathifi.com/reviews/meze-audio-empyrean-ii
If Meze aimed to make the new Empyrean II the most neutral and insightful headphones at this price then it has failed. These headphones have certainly moved in that direction but we think excellent rivals such as the aforementioned Austrian Audio The Composer do those things better. But that doesn’t mean we’re disappointed.
Regardless of music genre, we still find the Empyrean II a pleasure to listen to. They have a more overt sonic signature than the likes of The Composer, sounding richer and full-bodied and for the most part easier going once carefully partnered. You will need to feed them with a source and electronics that have a refined top end, as there is some spikiness in the lower treble region that highlights sibilances in voices a little too enthusiastically. But take care in system matching and, for most people, it won’t be an issue unless you are particularly sensitive to such things.

MoFi SourcePoint 888 Speakers at AXPONA 2024
May 1, 2024 Comments Off on MoFi SourcePoint 888 Speakers at AXPONA 2024
Audio Note TT-One Deluxe Turntable Review
April 30, 2024 Comments Off on Audio Note TT-One Deluxe Turntable Review
https://www.analogplanet.com/content/audio-note-tt-one-deluxe-turntable
The Audio Note TT-One Deluxe turntable’s price tag — which, all-in, with cart and arm included, is around $6K — might make your eyes water, and your bank account cry. But for those of you who crave the raw, unadulterated humanity of music and for whom perfectly relayed vinyl playback is a language understood more in the heart than the head, the Audio Note TT-One Deluxe is sweet surrender — a revelation. As my stepfather — a man more comfortable with the NASCAR roar than a Stravinsky concerto — might have put it in his gruff, entirely un-British drawl, “That there’s a honey.”

SOULNOTE A-1 INTEGRATED AMPLIFIER $3,999 REVIEW
April 30, 2024 Comments Off on SOULNOTE A-1 INTEGRATED AMPLIFIER $3,999 REVIEW
Soulnote also implements a very unique (and likely expensive) relay-switched balanced attenuator. The resulting level settings are quite coarse but are accompanied by a satisfying and confidence-inspiring mechanical “click” of the relays switching as you change the volume.
The case and circuit layout are said to be symmetrical, and the case incorporates all of Soulnote’s unique resonance control schemes.
The whole deal only weighs about 22 pounds which is very lightweight for an 80 wpc Class A/B integrated amplifier. The toroidal transformer visually appears to be undersized for the amplifier’s claimed power delivery.


Revopoint MIRACO 3D Scanner Review & Feature Build
April 30, 2024 Comments Off on Revopoint MIRACO 3D Scanner Review & Feature Build
Bluesound POWERNODE EDGE $649 REVIEW
April 28, 2024 Comments Off on Bluesound POWERNODE EDGE $649 REVIEW
https://www.audiophilia.com/reviews/2023/10/10/bluesound-powernode-edge
In my office reference system driving the 91-dB / 4 ohm Care Orchestra Deep Breath Evo monitors the Powernode delivered what I can call a full performance. I heard surprisingly tuneful bass from these power-hungry boxes. Articulate and substantial midrange as well. Treble information was detailed and important for any budget audio component, it was free from uncomfortable grain and harshness. My AmazonHD stream of Leonard Bernstein’s 1987 live recording of Mahler Symphony No. 5 with the Vienna Philharmonic (Deutsche Grammophon) started with a convincing trumpet fanfare to open the famous funeral march. The rich tone drew me into the narrative and the decent spatial separation of orchestra sections helped paint a full picture of the performance.

QUAD REVELA 2 FLOOR-STANDING SPEAKER $4495 REVIEW
April 28, 2024 Comments Off on QUAD REVELA 2 FLOOR-STANDING SPEAKER $4495 REVIEW
Because of this whole “reviewing” thing, I’ve been given the opportunity to listen to and experience several speakers that I would have otherwise passed over. This is a speaker that would have fallen into the passed-over category. And that would have been a shame. The Revela 2 is a stout, 3-way floor-standing speaker. It features twin 6.5″ woofers, a 6″ midrange driver, and a single 2.5″ ribbon driver taking care of the high frequencies. The speaker stands a hair over 37″ tall and weighs 60 lbs. The Revela is available in piano walnut and black piano gloss. And retail for $4495.00 USD.

Tektron Italia Neptune Reference Vacuum Tube Integrated Amplifier Review
April 27, 2024 Comments Off on Tektron Italia Neptune Reference Vacuum Tube Integrated Amplifier Review
https://www.audiophilia.com/reviews/2024/3/4/neptune
The acoustics are surprisingly good, giving a full amplitude to the horns and brass and revealing an unfailing purity of sound and accuracy from the upper strings. The bass is perhaps slightly muddied in spots, but this, in no way, mars the overall impression of a stunning sound and performance. The Neptune’s macrodynamics are represented with a clear, yet golden glow that is so typical of SET amps but with a bonus from the Neptune’s 211 power tubes. With no negative feedback required, neither local nor global and low levels of distortion, the 211s create a substantially open and spacious soundstage, augmenting the perception of depth and instrument placement with this orchestra and this recording. T

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