Nagra HD Range and Classic line amplifiers NEW
February 3, 2015 Comments Off on Nagra HD Range and Classic line amplifiers NEW
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“he appearance of the Nagra HD DAC last year was a vivid demonstration of what the manufacturer means by “high definition sound”. This range has been created with the ambition of getting as close as possible to total sound fidelity through extreme engineering employing the most innovative solutions. For the HD DAC, for example, Nagra has pushed digital/analogue conversion technologies so far that the richness and natural quality of the master recording tapes can be found on a simple CD.”
Marantz AV8802 11.2CH Preamp/Processor Review
February 3, 2015 Comments Off on Marantz AV8802 11.2CH Preamp/Processor Review
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” Where the AV8802 really starts to differ from its predecessor is the inclusion of Dolby Atmos and Auro-3D. With 11.2 channels on tap, Atmos configurations up to 7.1.4 are supported, while Auro-3D tops out at 10.1. The AV8802 also boasts integrated WiFi and Bluetooth antennas for wireless streaming.”
Boulder 1060 power amplifier Review $18,000
January 30, 2015 Comments Off on Boulder 1060 power amplifier Review $18,000
http://goo.gl/6M6Bh5 Review Here
“Another thing about the Boulder 1060: speed. Ever notice how some big amplifiers (especially solid-state ones) can sound a little slow—as if held back by their massive power supplies? Not so the 1060. The amplifier was breathtakingly fast, bracingly clean, and harmonically pure. Hey, compared to the $59,000 Boulder 2050s, this might be a bargain that gets you very close to the 2050s’ sound for a fraction of the price.”
Jeff Rowland Daemon 1500W Integrated Amplifier NEW
January 29, 2015 Comments Off on Jeff Rowland Daemon 1500W Integrated Amplifier NEW
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“Jeff Rowland Daemon 1500W Super Integrated Amplifier is company new flagship ultimate integrated amplifier. Daemon will bring 1500 watts at both left and right mono channels and will implement isolated digital and analog power supplies.”
Marantz’s slim NR1605 receiver Review
January 29, 2015 Comments Off on Marantz’s slim NR1605 receiver Review
BOULDER 2150 MONO POWER AMPLIFIER AND 2110 PREAMPLIFIER Review
January 26, 2015 Comments Off on BOULDER 2150 MONO POWER AMPLIFIER AND 2110 PREAMPLIFIER Review
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” The Boulder 2110 also has all the features an audiophile is likely to need in a linestage preamp. It is fully balanced and uses all-XLR connections. (Any device using RCA connections will need an adapter.) The 2110 has six pairs of inputs that can be labeled by name, three sets of main outputs, and programmable recording-output features. ”
Wells Audio Innamorata Signature Amplifier Review
January 25, 2015 Comments Off on Wells Audio Innamorata Signature Amplifier Review
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“The same kinds of greater emotional engagement occur with chamber and solo performances. For Jon Manasse and the Tokyo Quartet playing the Brahms Clarinet Quintet, I could previously hear a smaller but still generous acoustic space with the players’ positions clearly identifiable, and the “woodiness” of the clarinet was a special pleasure. But with the Signatures, am astounded by how naturally present that clarinet has become”
Line Magnetic Audio LM210IA Integrated Tube Amplifier Review
January 24, 2015 Comments Off on Line Magnetic Audio LM210IA Integrated Tube Amplifier Review
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” The essence here was of listenability: I listened to the entire album only pausing to turn the 180 gram vinyl pressing over between sides, quite a rarity as the restless side of my psyche usually has me flitting from one album to another without hearing any of them in their entirety”
2014 Product of the Year – Amplifier
January 21, 2015 Comments Off on 2014 Product of the Year – Amplifier
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” His Zen Monoblocks put out 60 watts per channel, cost a cool $12k a pair, and are worth every penny. The Zen Mystery Amplifier, is a single channel design producing 40 watts per channel and has a lower price tag of only $5,695.
Ayre AX-5 Integrated amplifiers Review
January 18, 2015 Comments Off on Ayre AX-5 Integrated amplifiers Review
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” Thanks to the amplifier’s supreme clarity, stereo imaging was exceptional when auditioning audiophile-quality recordings containing realistic spatial elements, with outstanding inner detailing. Moreover the AX-5’s neutral honesty rendered brass in an appropriately aggressive manner – as, for example, in Stravinsky’s Rite Of Spring with Maazel [Telarc].”
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