Job 225 Mono Amplifier Review
February 11, 2015 Comments Off on Job 225 Mono Amplifier Review
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Let’s face it, channel exclusivity of power supplies can be built into a stereo chassis. But because reality bites, there’ll be practical constraints on size, weight and heat dissipation. Size and weight don’t just inform the consumer side about what’s manageable. It affects manufacturing and shipping too. With class A bias throwing off 90% of generated power as heat; and transformers getting bigger and heavier as power ratings escalate; what’s doable in a stereo chassis does eventual hit limits of plain common sense.”
Nu Forces digital amplifier
February 11, 2015 Comments Off on Nu Forces digital amplifier
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” The NuPrime range also contains a headphone amp/DAC in the DAC-10H (above top, $1,795), but this one has balanced as well as quarter inch outputs that can be used simultaneously. It has five digital and two analogue inputs and comes in a preamp version dubbed DAC-10 (above below) without the headphone outputs, both have balanced and single ended outputs. Spec is very high with support for 32-bit/384kHz PCM and native DSD up to DSD256 via the asynchronous USB input. The NuPrime ST-10 (below) is a class D power amplifier rated at 150 Watts (8 Ohms) with claimed 85% efficiency and “near-reference” class sound for $1,595.
ROGUE AUDIO SPHINX INTEGRATED AMPLIFIER REVIEW
February 11, 2015 Comments Off on ROGUE AUDIO SPHINX INTEGRATED AMPLIFIER REVIEW
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” The main amplifier section is built around an OEM version of the popular Hypex switching module driving MOSFET output devices. As an aside, the Hypex switching units are often found on much more expensive class D amplifiers, including my reference Merrill Thor monoblocks, which clock in at $4800 retail”
SAE 2HP amplifier
February 10, 2015 Comments Off on SAE 2HP amplifier
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“The fully balanced, Class A/B SAE 2HP amplifier masterpiece is designed, engineered, and manufactured in America.”
Creek Audio Evolution 50A review
February 9, 2015 Comments Off on Creek Audio Evolution 50A review
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” That low-end deficiency puts the 50A’s tonality a little on the lean side, so taking a little care with system matching would be sensible. You’ll hardly notice the shortcoming paired with standmounters, but those fond of floorstanders should choose rich, sweet-sounding towers (say, the Q Acoustic Concept 40s) to flesh out the sound ”
2015 BUYER’S GUIDE: POWER AMPLIFIERS $2,000 – $10,000
February 8, 2015 Comments Off on 2015 BUYER’S GUIDE: POWER AMPLIFIERS $2,000 – $10,000
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Pass Labs Xs 300 Dual Chassis mono amplifiers Review
February 8, 2015 Comments Off on Pass Labs Xs 300 Dual Chassis mono amplifiers Review
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” The Nemo produced the most subdued version, creating an almost tube-like rendition on Van’s voice. The Pass Labs Xs 300 produced something in between, but also with a bit more detail and natural texture than the Nemo or Nada. In my subjective opinion, the Pass Labs Xs 300 did the best job with this recording, taking the edge off Van’s voice while still providing every detail and nuance of that voice.”
McIntosh MXA60 Bookshelf Stereo System Review – Video
February 8, 2015 Comments Off on McIntosh MXA60 Bookshelf Stereo System Review – Video
Aurender X-PAC and N-PAC
February 5, 2015 Comments Off on Aurender X-PAC and N-PAC
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“Aurender has pulled out all the stops to create a one-of-a-kind audio experience by using Solid-State-Drive cached playback from its internal HD. The unit caches music for playback from its internal HD, eliminating latency, electrical interference and noise resulting from spinning hard drives and compact discs. The result is amazingly clean output. With up to an impressive 12TB (X100L 12TB model) storage capability, it can accommodate more than 20,000 CDs and high- resolution music tracks in uncompressed WAV format. Aesthetically, the X-PAC is a very handsome, minimalist Lifestyle- oriented music system, with a pair of elegant, machined aluminum cases that complements any décor
D’Agostino Cinema Standard amplifiers NEW
February 4, 2015 Comments Off on D’Agostino Cinema Standard amplifiers NEW
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“Built-in, switchable high-pass and low-pass filters allow the Cinema Standard to be optimized for use with powered or passive subwoofers. The filters are preset to 80 Hz and -18 dB/octave, so they can be used to filter the bass out of a system’s main speakers, or to filter midrange and high frequencies out of a subwoofer”
Audiophilepure 
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