VTL amplifiers Vacuum Tube Logic – Video
March 4, 2015 Comments Off on VTL amplifiers Vacuum Tube Logic – Video
Merrill Audio Veritas Power Amplifiers Review
March 3, 2015 Comments Off on Merrill Audio Veritas Power Amplifiers Review
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“This is Class D technology and I am well aware that it has its detractors, but what Bruno Putzey (the designer of the Hypex modules) has done with the NC1200 is take the Class D technology of the UcD circuit developed in 2001 and transformed it into a truly audiophile component. What Merrill have then done is implement this technology in a pair of amplifiers that make the most of what the modules can do. ”
CONSTELLATION AUDIO INSPIRATION SERIES PREAMP 1.0 LINESTAGE, STEREO 1.0 STEREO AMPLIFIER, AND MONO 1.0 MONOBLOCK AMPLIFIERS $20,000-per-pair
March 2, 2015 Comments Off on CONSTELLATION AUDIO INSPIRATION SERIES PREAMP 1.0 LINESTAGE, STEREO 1.0 STEREO AMPLIFIER, AND MONO 1.0 MONOBLOCK AMPLIFIERS $20,000-per-pair
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“This combination of transparency and resolution without etch that defines the brand was readily apparent in all three Inspiration products. I have so much experience with Constellation that there was no mistaking the Inspiration’s crystalline transparency and openness for anything else. This see-through quality didn’t just allow me to hear instruments in the back of the hall or deep into a multitrack mix; it also conveyed an impression of immediacy, of the air in which the instruments exist being “charged” with the life and vitality of the hall or studio.
VTL S-200 Signature Review
March 1, 2015 Comments Off on VTL S-200 Signature Review
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” After that, on practically every recording tried, the VTL amplifier brought unexpected pleasures. It could bring out the best in a silky-smooth audiophile offering – like the Mozart Clarinet Concerto with Musical Fidelity boss Antony Michaelson as soloist, engineered by Tony Faulkner in the acoustically favourable Henry Wood Hall. Here the VTL was gorgeously light, airy, and spacious with a truly delightful string sound and a beautifully clean and open bass end.”
ALLNIC AUDIO H-1201 PHONO EQ AMPLIFIER REVIEW
February 28, 2015 Comments Off on ALLNIC AUDIO H-1201 PHONO EQ AMPLIFIER REVIEW
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“But when you hear the sound of your favourite LPs, as reproduced by your favourite phono cartridge operating through the Allnic H-1201, you will instantly forget all about resistance and capacitance matching, because you will be so thrilled by the incredible purity of the sound you’re hearing, to the extent that it will likely be as if you’re hearing the music for the first time. The H-1201 retained everything I love about vinyl: the incredible realism of the stereo staging, the precision of the treble, and the organic, rich sound of the bass”
Technics SU-C700 review
February 28, 2015 § 1 Comment
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” Unfortunately, when it comes to performance the news is not so good. There’s a real lack of energy in the Technics’ performance, with poor rhythmic drive that often leaves it sounding confused and disorganised. Upbeat tracks lack punch and momentum and softer recordings sound dull and not engaging.”
Dan D’Agostino built-in streaming CES 2015 – Video
February 27, 2015 Comments Off on Dan D’Agostino built-in streaming CES 2015 – Video
Pass Labs XP-20 Preamplifier and X600.5 monoblock amplifiers Review
February 26, 2015 Comments Off on Pass Labs XP-20 Preamplifier and X600.5 monoblock amplifiers Review
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” Audiophiles can be horridly anal about things like meters, and I’m sure the discovery of the needle on the amp hovering to the side of dead center would be a cause for alarm to some. All it takes to quell fears that the Pass Labs X600.5 is not in operational disease is to scan the images on the Internet, where the needle of the functioning amp is seen most often not centered. So, go ahead and lay that irrational demand for a perfectly vertical needle on the Pass Labs meter to rest.”
Boulder Amplifiers, 2120 DA Converter, $60,000 CES 2015 – Video
February 26, 2015 Comments Off on Boulder Amplifiers, 2120 DA Converter, $60,000 CES 2015 – Video








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