Audiophilepure

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“I ran the FA7 on an iPhone6, an AK120, and FiiO’s own M6 DAP as these are popular lower powered devices. On these pairings, I am hearing good resolution especially on the upper vocal range. The dynamic range is good with decent texture in its low-end and excellent articulation and detail in its treble performance despite it rolling-off at the very top-end.

The FA7 performs well technically, yet the low-end quantity can be a bit overwhelming at times. To me, lower pitched vocals are a bit laid back, particularly male vocals which, at times, compete with that stronger bass bias. You may find equalizing down the midbass by 2-3dB effective in delivering more clarity to the FA7’s vocal presence.”

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The PW Saladin cleans up the signature of the LSXC and takes a touch of warmth out of the timber replacing it with a little more treble sparkle and clarity. The sound still has relatively the same tuning bias but you do get a much better level of dynamic range, a more open sound and significantly better width in the soundstage.

Personally, I might dabble a bit more with some other cables including some 8-wire silver options to see if I can get a little more out of the LSXC staging-wise for the main review. What you need to know for now this is a smooth and warm sounding monitor with a forgiving presentation rather than a reference tuning.”

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“There are two observations about using the N5005. First, make damn sure you are using the right tips, and don’t be afraid of making the jump to Comply or even experimenting well beyond the norm. With most earphones the difference between tips is a comfort issue, but here it’s the difference between a reasonably OK sounding earphone and ‘wow, that is the best earphone I have ever heard.’ Secondly, although the N5005 is more than efficient enough to be driven by the output of any phone that still has a headphone socket, don’t do it. This earphone demands quality, and quantity when it comes to amps. It’s deceptively demanding.

Observe those two conditions and you are left with one of the best non-custom earphones money can buy. With the right seal from the correct tips, the bass is deep, authoritative, stentorian, and yet incredibly well controlled. And that’s without the bass boost. OK, so without the boost, the N5005 is more about clean depth and texture, and with the boost in place it’s more about weight and slam, but for most audio enthusiasts, the Reference filter has more than enough weight and also has the perfect balance.”

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“Amongst the sea of sub-$2000 do-all in-ears in the market today, 64Audio’s A6t emerges as a true cut above – thriving on youthful zing, tonal finesse and an outstandingly solid midrange. While it boasts a similar liveliness as its peers, a unique physicality accompanies its rhythmic drive. Instruments are not only fun to listen to, but they’re tangible as well. Although it may lack the effortlessness and transparency of 64Audio’s monstrous flagships, the technology that’s trickled down onto the A6t ensures admirable performance at a fraction of the cost. With 3D-Fit and apex, you have yourselves one heck of a package. Whether on the go, on stage or behind the desk, the A6t unfailingly delivers punchy, accurate and refined audio. It may not necessarily be 64Audio’s poster child, but I smell a clear best-seller for years to come.”

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“This has been a worthwhile debut challenge review for me on Headfonia. I think Light Harmonic have done a pretty decent job with the Stella in both resisting the temptation to let it all hang out with bloated dynamic driver sound or aiming for an easy darkish sound to tame the masses.

Yes, the Stella is slightly niche, more at home with audiophile standards, clean acoustical sounds and most importantly female vocals. But what it does, it does incredibly well, and it does stand out from the crowd on that basis.”

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“My stance on all this is simple. I don’t claim to know what happened with any certainty. Innocent until proven guilty. Always. I believe in that for the Courts, and in public opinion. Furthermore, I strongly believe mismanagement of past failures should have no relevance on whether or not I review a new product. If this were a pre-order, or another Crowdfunding project, I would feel differently. Their history would be of utmost relevance. But Stella exists, and is in-stock right now. Which means the only pertinent information is whether or not Stella is good. And if it is good, I want the community to know about it. That is, as I see it, my only real duty as a reviewer.”