Klipsch R-15PM powered speakers – Video
March 22, 2016 Comments Off on Klipsch R-15PM powered speakers – Video
KEF R900 3-Way Tower Review
March 19, 2016 Comments Off on KEF R900 3-Way Tower Review
” The KEF R900 related this high-res DSD jazz recording with the essential warmth and detail I am used to hearing from my high-end speakers. A nice, spacious soundstage with plenty of space between the instruments. The top-end was never hard or edgy; the aluminum-based mid-frequency driver delivered a quick, tonally correct midrange — without exaggeration or hollowness.
The basss driver were equally impressive, with the metal drivers delivering good thump, but with quick precision. Since the organ‘s mid-bass chords are emphasized in this recording, I wanted to see if the port plugs made a difference in the midbass.”
Fluance Fi70 Bluetooth Speaker review – Video
March 18, 2016 Comments Off on Fluance Fi70 Bluetooth Speaker review – Video
Bang & Olufsen BeoLab 90 Loudspeakers Overview
March 15, 2016 Comments Off on Bang & Olufsen BeoLab 90 Loudspeakers Overview
Monitor Audio Bronze 6 Loudspeakers $1099 Review
March 12, 2016 Comments Off on Monitor Audio Bronze 6 Loudspeakers $1099 Review
” Though mostly neutral, the Monitor’s frequency response hinted at some clever contouring, with a slight mid-to-upper midrange emphasis that produced an exciting, involving sound. This speaker was decidedly not reticent or mellow, but the balance Monitor has struck in the Bronze 6 was spot on. So, too, was the performance of that C-CAM tweeter.”
FOCAL SOPRA NO. 1 STANDMOUNT LOUDSPEAKER £6,599 per pair REVIEW
March 9, 2016 Comments Off on FOCAL SOPRA NO. 1 STANDMOUNT LOUDSPEAKER £6,599 per pair REVIEW
“But dissecting the performance of the Sopra No. 1 is actually doing it a disservice, and doesn’t even hint at its greatest asset: a tremendous sense of coherence where nothing stands out, or for that matter gets in the way. This is where on a musical level it proved to be quite addictive to listen to, whether pulling you in with a great sense of timing, or engaging one’s emotions with the sheer intimacy of a voice or an instrument. Being relatively small, after careful positioning the music was projected into a well-defined and spacious image, with the speakers all but disappearing with the right recording, and conjuring impressive dynamics from thin air. Under these circumstances, it was easy to find myself playing whole albums rather than individual tracks, and rather than sticking within familiar territory, venturing into music that I might have dismissed previously, which I think is always a healthy indication that the system is getting out of the way.”
Vivid Audio Oval B1 Decade Loudspeakers Review
March 9, 2016 Comments Off on Vivid Audio Oval B1 Decade Loudspeakers Review
” The B1Ds didn’t tame 21’s inherent brightness, but the shrieking shrillness wasn’t there — the sound was far more palatable. Listening to other recordings that have the same kind of top-frequency emphasis, I heard their top-frequency emphasis — the B1D didn’t roll off the topmost frequencies of the audioband in any way — but what I didn’t hear was the brittleness or edge produced by speakers whose HF output isn’t as well behaved. At first I was tempted to write that the B1D has one of the cleanest-sounding tweeters I’ve ever heard, but a tweeter’s sound is greatly affected by the cabinet surrounding it — diffraction can muck up even the best tweeter’s output. Instead, I’ll say that the B1D’s top end was the cleanest I’ve heard — ever.”
Sonus Faber Chameleon B Loudspeakers $899 Review
March 8, 2016 Comments Off on Sonus Faber Chameleon B Loudspeakers $899 Review
” This speaker is well named. It’s the consummate Chameleon, drawing the best from a wide variety of designs and techniques of sound reproduction. Through exquisite engineering, beautiful industrial design, world-class fit and finish, and superior inner detail and resolution in its ability to make music, this speaker is a marvel.
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Metaphor 2 loudspeaker Review
March 4, 2016 Comments Off on Metaphor 2 loudspeaker Review
” Oh, I can pick a nit or two—if I must. There is a touch of ripeness just below 100Hz (in the 85Hz region, perhaps) that adds a hint of warmth that is, strictly speaking, not accurate. But I’d be a liar if I said I didn’t sort of like it; there may be something to be said for a pleasing coloration or two. Gasp! But that…would…be…wrong! Wouldn’t it? And if the speaker isn’t precisely, undeviatingly revealing on the very tiptop, wouldn’t it be wrong for me to prefer that as well?”
Audiophilepure 
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