Audiophilepure

https://www.hifinews.com/content/franco-serblin-accordo-essence-loudspeaker

Vocals are what rule my heart, Allman’s being powerful and energetic, but I could not think of any trial more worthy than Sophie Madeleine’s ‘Stars’ from The Rhythm You Started [Xtra Mile XMR045CD]. This is a voice of such delicacy and clarity that she makes Dolly Parton sound like Louis Armstrong. I had heard this CD so many times that I was worrying about seeming obsessive, but the Accordo Essence unveiled more fine details, not least my belief that Ms Madeleine should come out of retirement. I cry too often, and this had me reaching for the Kleenex. It was exquisite.

So the Accordo Essence couples refinement with realism, delivers convincing recreation of the sound-space, and wraps it in craftsmanship of the highest order in the cabinetry itself. Franco Serblin was always motivated by the great violin makers of Cremona, and he taught Favella well. He’d be pleased to know that you don’t need to be Jascha Heifetz to hear it (or see it) in this speaker. It is magnificent.

https://www.hifichoice.com/content/martinlogan-motion-20i

The bass extension is impressive for such a relatively small floorstander. MartinLogan claims to deliver a frequency response down to 46Hz, but this seems comfortably bettered in my room. It integrates well with the rest of the frequency range and ensures that the deep electronic notes of Beck’s Uneventful Days are something you feel as much as hear and there is a reasonable level of control and definition as well. This is undoubtedly helped by careful speaker placement in my room and positioning the Motion 20i closer to a rear wall reduces this coherence somewhat. It’s never going to be described as an urgent-sounding loudspeaker, but equally it doesn’t sound particularly languid or slow.

REVIEW: The Sonus faber Sonetto V Speakers

To be fair to the Sonettos, I left the past behind, making my way back to the current day, musically speaking. Bottom line, there was nothing I threw at the Sonettos that I felt they couldn’t do justice too. Getting in a party mood with “Oppa is Just My Style,” the Sonettos prove they can play loud when the need arises. Even at eviction notice levels, these speakers did not distort, bottom the woofer cones, or exhibit soundstage collapse. Staying at party SPLs, the deep bass line in Girls Day’s “Look at Me” had a few people looking for the subwoofer. And just before you think I’ve gone way too KPop on you, the new AC/DC single “Shot in the Dark” was just released, so a final infusion of heavy guitars (at high volume, of course) ticks the last box. This is a great pair of speakers that can play whatever you enjoy without excuse.

http://www.theaudiobeat.com/equipment/wilson_audio_chronosonic_xvx_subsonic.htm

About the fine-tuning. As with other Wilson speakers, a step in the setup of the XVXes is measurement of the listening position, both in distance from the speakers as well as the floor. This is done to determine the correct settings for the various modules, in order to achieve exact time alignment at the listening position. But there’s also an important procedure that tailors the speakers to the amplifier with which they will be used. While previous Wilson models other than the WAMM used predetermined steps for time alignment of the drivers, the Gantry and Micrometer of the XVX allow infinite small incremental adjustments to correct not just for listening position but also the unique time smear of the partnering amplifier. Wilson Audio determines this through measurement of the amplifier, and those data are provided to the person setting up the speakers. Daryl Wilson admits that there are some similarities among the amplifiers he has measured, especially ones with similar topologies, but, as he put it, “Every manufacturer has its secret sauce.”

https://www.monoandstereo.com/2021/01/cube-audio-nenuphar-speakers-review.html

It was great to review and reignite my appreciation and passion for this particular type of speaker. All the positive qualities that have always attracted me to the full range speaker concept were easily verified. In addition, the Nenuphar has an impressive set of qualities I’ve touched upon and reflected in the previous section throughout the music references. 

For what they represent sonically and how well they present music without adding or subtracting the essentials from it, I am happy to award the Cube Audio Nenuphar Mono and Stereo 2021 Highly Recommended Product Award

The Klipsch Fives are a complete music system in one box. As tested by me, the Fives are fully capable of standing on their own and playing music from your mobile devices, or they can accept whatever digital or analog source you may have including a turntable. Although I think most of the environments that the Fives will be placed in will be small or compact, the Klipsch Fives did a great job filling my large family room. Never did I feel that the Fives were running out of steam. Considering the very fine sound and the low price (my moving coil cartridge alone is what the Fives sell for), I think Klipsch has provided their legendary sound in a compact package and priced it so that anyone can afford it. The Klipsch Fives are highly recommended for value and sound!

https://www.whathifi.com/us/features/that-was-then-sonus-faber-extrema

Detail levels are pleasing, though outright resolution and distortion levels are areas in which advancements in drive units and cabinet designs have resulted in significant improvements since the Extremas were made. A good modern high-end speaker will simply sound cleaner and clearer, but is it more enjoyable? Now, that’s open to debate. In much the same way that many enjoy driving a classic car more than a modern equivalent, so it is here.Advertisementhttps://39e25acc62da76679a6e3c478aec02db.safeframe.googlesyndication.com/safeframe/1-0-37/html/container.html

We put on Bjork’s Vulnicura set and revel in the sonic textures and dynamic shading. There’s plenty of punch here, and the Extrema are more than happy to play at high volume. We enjoy the insight and effortless fluidity, not to mention their ability to make listening to music really feel like an all-enveloping experience rather than just a mere activity to pass the time. The Extrema seem to have a little bit of magic baked into their sonic DNA.

The heritage of Sonus faber is entrusted to the hands of these artisans who seamlessly combine their know-how with the legacy of values which have been preserved throughout the brand’s history.

Distinguished sound is the result, allowing the listener to immerse in a natural musical experience. Sonus faber preserves the integrity of its roots while evolving its craft through the use of innovative materials, intense design research and electro-acoustic solutions.