Audiophilepure

https://www.hifichoice.com/content/chord-company-powerhaus-p6-mains-distribution-block

The 13A mains plugs in my system are held very tightly by the PowerHAUS P6 and are noticeably more secure than the sprung metal strip connections provided by the sockets of a standard mains block. My only quibble is that having the 16A IEC mains input socket on the top makes it a bit cumbersome when you plug in the mains lead, but that may not be a problem in all setups. In comparison with a standard mains block, I am conscious of a lower noise floor when using the PowerHAUS P6. With a lovely recording of Jupiter from Holtz’s The Planets Suite performed by the BBC Symphony Orchestra, the quiet transition into the music of the stately section seems clearer and I can sense more of the detail in the flutes. In summary, the reasonably priced PowerHAUS P6 is beautifully made and is a very high-quality mains power block. NR

https://www.audiophilia.com/reviews/2025/3/3/infigo-1

To isolate the streamer from external vibrations, the Cryogen has four footers, which are disks that you attach with (3) small ball bearings between. Instead of standard stainless steel bearings, the Cryogen model comes with beautiful blue sapphire gems (yes, real ones). You attach them (patiently/carefully) when you set up the unit; they come in small velvet sacks and are pre-sized to be equal. I did not experiment with swapping them out for stainless steel ones for a sound comparison; attaching the bearings is a bit dicey—I did not want to be chasing after rolling sapphires in my home!

https://www.soundstageultra.com/index.php/equipment-menu/1266-isoacoustics-delos-2216w1-turntable-isolation-platform

Which platform works best for you would likely depend on your specific rig, and the physical configuration of your room. Since my rack sits on a concrete slab, I obviously don’t have issues with floor-borne vibrations. If your room has a sprung floor, I would wager that the suspension of the Delos would make the IsoAcoustics more effective than the suspensionless Mitmat.

Both platforms delivered imaging benefits, but the Mitmat pulled slightly ahead here, helping to place instruments in space with just a little bit more precision. On the other hand, I found the dynamic improvements delivered by the Delos to be of tremendous value. Once I’d become accustomed to the need to adapt my listening levels, the Delos helped make the music jump out of the speakers in a most endearing manner.

But where the Delos soared was in its exceptional control of the bass and the bass-related oddities that infest the analog reproduction chain. For sound quality, you’ll have to make your own decision, as both platforms have their merits. But in my system, the Delos won out. And with its lower price, the Delos is also the winner for value.