KECES P14 Ultra Low Noise Linear Power Supply $1800 Review

January 14, 2026 Comments Off on KECES P14 Ultra Low Noise Linear Power Supply $1800 Review

To say I wasn’t prepared for the shocking difference between the sound of the Roon Nucleus+ with the stock SMPS and the P14 would be an understatement. There is no going back to the SMPS that comes with the Roon Nucleus+ after you hear the P14 in your system. In fact, if you own a Roon Nucleus+, you have no idea how much better it can sound from top to bottom with the P14. The amount of information that is missing without the P14 is staggering in my system.

If you use any audio devices that are powered by an outboard SMPS that the P14 can replace with the correct voltage and current, it would be hard to imagine that the P14 won’t improve the sound of your system. With regards to people who currently own the Nucleus+, there is no doubt in my mind that you too will be shocked at the improvement to your system.

Topping DX9 Discrete Review

January 14, 2026 Comments Off on Topping DX9 Discrete Review

 Magnepan 2.7i three-way quasi ribbon panel speakers $6,495 Review

January 13, 2026 Comments Off on  Magnepan 2.7i three-way quasi ribbon panel speakers $6,495 Review

There is excellent deep space behind the speakers and placement of the individual parts of the drum kit is very impressive; you know where the snare, various toms, cymbals are within the space.  Same with the guitars.  Palpability of the drums in particular is completely on point.  You can feel them which I didn’t quite expect, based upon my long ago experience with Maggies.  The air around the instruments feels real, as well.

Although the notes of the electric bass are there, they aren’t as palpable in the way I would have hoped and I don’t feel the bass through my feet, as I usually can with dynamic speakers.

T+A Symphonia streaming integrated amp Review

January 13, 2026 Comments Off on T+A Symphonia streaming integrated amp Review

https://www.hifinews.com/content/ta-symphonia-streaming-integrated-amp

Neatly styled and refreshingly compact, T+A’s Symphonia appeals before it’s even powered up – then you discover its wide-ranging connections, excellent app/remote controls, and vibrant, revealing sound. Proof, if needed, that good things can come in small packages, this premium streaming amp is ready to be the centrepiece of a forward-thinking hi-fi set-up. A colour display would be nice, though…

MAXIMUM AUDIOPHILE BLISS Speakers of the Year

January 13, 2026 Comments Off on MAXIMUM AUDIOPHILE BLISS Speakers of the Year

SME Model 35 Turntable and Series Vi Tonearm. Reviews

January 12, 2026 Comments Off on SME Model 35 Turntable and Series Vi Tonearm. Reviews

https://www.soundstageultra.com/index.php/equipment-menu/1290-sme-model-35-turntable-and-series-vi-tonearm

The SME Model 35 with its new Series Vi arm is an astonishing turntable. It offers world-class detail retrieval, rock-solid pitch stability, a gorgeously stable and believable soundstage, and the ability to track and retrieve deeper bass than you ever imagined could be pressed into a vinyl groove. This weight and solidity low down is highly addictive, and is something that is a particular characteristic of top-tier SME ’tables, as well as the AVID HiFi Acutus Dark Iron. Most other turntables I have heard seem to lack that total command of the lowest registers of the music, and sound a shade lighter and fractionally less extended. Listening on the Model 35 provided a level of gravitas, solidity, scale, and palpable impact that I sensed as much as heard. Combined with shimmering highs, breathtaking transient speed, and a midrange so beautifully balanced and nuanced it shamed digital sources, it was abundantly clear that I was hearing a magnificent vinyl spinner.

Arendal Sound 1528 Monitor 8 Loudspeaker Review

January 12, 2026 Comments Off on Arendal Sound 1528 Monitor 8 Loudspeaker Review

https://www.soundstagehifi.com/index.php/equipment-reviews/2021-arendal-sound-1528-monitor-8-loudspeaker

Eager to hear these two speakers head-to-head, I reached for an album I appreciate more with time, namely Tom Waits’s Mule Variations (CD, Anti‑ / Epitaph Records 86547‑2). I found the opening notes from Waits’s upright piano on “Take It with Me” sparkled a little more through the Monitor Audios, as if they had a bit more energy up top relative to the Arendals. The notes “popped” more through the 300s, helping draw my attention to them. However, I heard more texture in Waits’s voice through the Norwegian speakers. For example, when he sings the words “take it with me when I go,” the coarseness of his sandpaper baritone seemed rougher than when I heard it through the British towers. Additionally, the fuller-sounding Arendals communicated more of his voice’s warmth. The Monitor 8 is an incredibly revealing speaker, and in this instance, I could more easily tease apart what was happening in the lowest register of his voice. Compared to the Monitor Audios, the Arendals sounded more open.

Both sets of speakers have a fair amount in common, regardless of their obvious physical differences. It’s worth noting that in terms of their driver configuration and arrangement, they exhibit more than a passing resemblance to one another. Both the Arendals and the Monitor Audios sounded squeaky-clean, with each delivering a highly detailed, incredibly resolving sound that made it easy to uncover what’s happening in a recording. For example, the rapid-fire percussion that establishes the driving rhythm of “Hunter,” from Björk’s Homogenic (CD, Elektra E2 62061), was vividly conveyed by both sets of speakers. The drums sounded a bit tighter through the Monitor Audios, giving them a subjectively faster sound. For their part, the Arendals had a slightly warmer character that was fuller and more enveloping.

Topping DX9 Discrete Review

January 11, 2026 Comments Off on Topping DX9 Discrete Review

The default smooth and rich presentation of the DX9 Discrete found a welcome home with brighter headphones such as the NOIRE XO and the Composer. Whilst DSP could bring some vocal presence to the Utopia 2022 (Airy), or a thicker presentation to the Nur Harmonia (Warm).

Typically, I state a preference, but in this case, given the very different FR’s of each headphone, I honestly could not say this type of headphone works better than the others.

If I were nitpicking, I would have preferred a bit more staging depth from the Harmonia, and it’s not as revealing as I would like it to be with the Utopia 2022.

Diapason Didascalìa Speakers Experience Review

January 11, 2026 Comments Off on Diapason Didascalìa Speakers Experience Review

Their elegant, sculptural form expresses completeness—unlike most contemporary two-way designs—featuring a precision-engineered stress-resistant enclosure and an adjustable passive radiator that ensures ideal bass performance across varied listening environments. As a study in sonic, material, and aesthetic balance, the Diapason Didascalìa offers a distinctive artistic and throughout musical perspective. It sets a cornerstone atop Diapason’s rich legacy—a testament to enduring Italian craftsmanship, sculptural beauty, and expressive power that will continue to inspire and captivate for years to come. Ultimately, the Didascalìa stands as a reflection of where the industry is today—and where it is headed: toward a seamless coexistence of tradition and innovation, equally vital and equally inspiring across generations.

Hegel H150 Streaming Amplifier Review

January 10, 2026 Comments Off on Hegel H150 Streaming Amplifier Review

https://www.enjoythemusic.com/magazine/equipment/1225/Hegel_H150_Streaming_Amplifier_Review.htm


I want to congratulate Hegel for what they have accomplished by creating the H150. It has great style, elegance, and functionality. They loaded it with many great features. It has a true high-end sound. Yet it is priced to fit in the budget of many beginner audiophiles. All of these features combined make the Hegel H150 “Prodogy” the value I have reviewed.

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