Audiophilepure

Aesthetically, the SVS Prime Wireless Pro Powered Speakers combine the classically handsome appeal of a traditional HiFi stereo system with modern digital flare from the front panel OLED display. Source, artist name, song title, input, volume settings and more can be displayed for an intuitive user experience.

Also on the front panel are six backlit preset buttons for instant, one-touch access to sources, favorite playlists, streaming services, podcasts, and more, just like a car radio preset.  

Knobs on the front panel allow users to toggle between sources and adjust display brightness as well as pause playback and set volume. The IR remote controls all the most critical functions and provides direct input buttons for HDMI, Bluetooth, Optical and Line In for easy switching between sources.  

https://www.enjoythemusic.com/superioraudio/equipment/1222/Vermouth_Audio_Studio_Monitor_Loudspeaker_Review.htm

Suppose one decides to go with something that isn’t as large as a floor-standing speaker but will deliver more volume and frequency extension than a stand-mounted mini-monitor. In that case, the Vermouth Studio Monitor is what you’re looking for. In my listening room, it had enough internal volume to produce serious bass. The two 6.5 mid-woofers produced a transparent midrange that filled the room with sound with a prodigious soundstage. Its ribbon tweeter was remarkably extended and had a musical sound that, regardless of how loud I played the music, was never fatiguing.

I heartily recommend the Vermouth Studio Monitor. Its audition proved that it was a surprisingly good-looking and great-sounding speaker, which is well worth its asking price.

https://www.soundandvision.com/content/svs-prime-wireless-pro-powered-speakers-review

SVS’ omission of a USB input, I have already mentioned. It’s not a deal-breaker for me, and likely not for most others. Another absence I felt a bit more keenly is the lack of any global equalization options built into the speaker hardware, such as bass-shelving options to compensate for near-wall/free-space locations, midrange EQ to aid desktop placement, or treble-tilt to adjust for room character or listener taste. I understand why SVS might elect to leave this out for simplicity’s sake and to keep owners from doing more sonic harm than good. Anyway, the Prime Wireless Pros are frankly too large for typical desktop uses.

At day’s end, these are mostly quibbles, though quibbling’s what they pay me for. SVS’ Prime Wireless Pro is an outstanding solution for a one-box or rather a two-box sound system that more than scratches the surface of what audiophile listening is all about. They’re accurate and dynamic to a fault, ultra-compact, easy to set up and use, and more than able to fill even medium-sized rooms at serious-listening levels without stumbling. You’d be hard-pressed to duplicate this recipe with individual components and passive speakers of similar size at twice the price. Or more.

https://www.hifinews.com/content/elac-concentro-s-503-loudspeaker

This performance all comes together in a standmount speaker that isn’t without faults, but that on the whole sounds spectacular considering its size. Playing the iconic theme from ‘The Book Of Boba Fett’, composed by Ludwig Göransson [Walt Disney Records], it’s really all there. The epic scale, eye-opening wavefront when the massive percussion beats down, and the chants resounding away into the distance – it’s a magnificent, dynamic result.

For sure, the S 503 requires a bit of power, not that it bothered the Hegel Reference H590 amplifier [HFN Oct ’19] that I used. You just have to be prepared to give the volume knob a good twirl to realise a truly rousing performance. But trust me, you will.

https://www.stereophile.com/content/paradigm-founder-120h-loudspeaker

Here’s one more example of how satisfying the Founders are. On some systems, ride cymbals played with a brush sound like white noise, the drummer’s taps barely discernible as separate events. With these speakers, there’s a crispness to the treble, neither forward nor recessed, that renders delicate cymbal work without smearing. Chico Hamilton’s ride cymbal on his quintet’s “Passin’ Thru,” from the album of the same name (16/44.1, Qobuz), is all there.

My main criticism of the 120H, and it’s mild, is that with most recordings, I didn’t find them completely involving at lower levels. They need to be played with some oomph to make recordings come alive. Below 75dB at the listening position, there wasn’t always enough kick, excitement, or presence. For me, this wasn’t a problem: I like my music loud.