Bel Canto e.One Stream review

March 21, 2020 Comments Off on Bel Canto e.One Stream review

https://www.whathifi.com/us/reviews/bel-canto-eone-stream

“In terms of features, then, Bel Canto has included everything you’d expect from a product such as the Stream, without promising the world. But the key to any audio product, though perhaps even more so for such a focused component around this price, is how it sounds. That is where we feel more than a tad underwhelmed.

There are certain aspects of the Stream’s performance that let you know it’s operating in this kind of ballpark, without absolutely sounding like you’re getting your money’s worth. There is space and detail you’d struggle to achieve with a three-figure budget, and the tonal balance is reassuringly even. 

ACOUSTIC SOLID WOOD ROUND MPX TURNTABLE £5,950 REVIEW

March 21, 2020 Comments Off on ACOUSTIC SOLID WOOD ROUND MPX TURNTABLE £5,950 REVIEW

http://www.hifiplus.com/articles/acoustic-solid-wood-round-mpx-turntable/

“With Rymden’s Reflections and Odysseys [Jazzland] spinning at 45rpm (it sounded a bit sluggish at 33.3!) the double bass took the soundstage by storm with lots of texture and some lovely vibrato playing from Dan Berglund and deep bass notes from Henrik Schwarz’s synth. There was still plenty of space for the piano to get lyrical in; this turntable gives good melody, that’s for sure. Playing the next track ‘Bergen’ where the piano is stronger in the mix, made me think that the sound had improved since the beginning of the side, possibly a setup thing or maybe a ‘stylus warm-up situation’ even though this wasn’t the first slab of vinyl to be played on the occasion. Perhaps I was just relaxing into the music itself!

The Acoustic Solid Wood Round MPX is a substantial and beautifully made German turntable at an attractive price. It is also the most straightforward to set up high-mass record player I’ve encountered, with no need to tweak and fettle, which is quite an achievement. It gives you the effortless warmth of vinyl with a good dose of bass to boot, which is hard to achieve with less substantial alternatives. It is also a statement turntable for less than bonkers money, and that I suspect will make it very popular. 

xDuoo TA-03S DAC/headamp Review

March 16, 2020 Comments Off on xDuoo TA-03S DAC/headamp Review

https://audiofi.net/2020/03/xduoo-ta-03s-dac-headamp-like-a-creamy-mid-afternoon-coffee/

“As a pure DAC, it is resolving enough without having excessive flavour. Upon switching its analogue output to my Lovely Cube Premium class A solid-state headphone amp, it’s immediately apparent how average the DAC section on this unit is. The TA-03S resolves macro details well but micro details such as the scratch from calloused fingers rubbing against guitar string gets lost in translation and blends into the background. To that I say, who cares? You’re listening to music, not trying to count the number of people clapping in the front seat at the end of Track 3 of Adele’s Live at the Royal Albert Hall album.

As a pure headphone amp, the TA-03S does so many things right. I would even go as far as to say the performance is bottlenecked by the mediocre DAC stage. Mids are smooth and intimate with no hint of sibilance or graininess. Through the Gen 1 Chord Hugo, switching from my solid state amp to this unit expanded the soundstage abruptly.”

Astell & Kern T9iE IEM Review

March 16, 2020 Comments Off on Astell & Kern T9iE IEM Review

https://www.innerfidelity.com/content/astell-kern-t9ie-iem-review

“The IEMs themselves have an attractive sort of fractal-type look to the back faceplate, otherwise they are quite smooth, sort of a metallic grey color and very small. One of the smaller high-end IEMs I’ve tried, and I ultimately found the form factor more comfortable over long-term listening than some of the moulded shapes of larger IEMs. Cabling on the T9iE is a very high purity Silver and OCC Copper hybrid 4-pole design carried over from last generation’s T8iE. The cable is quite thick compared to many IEM cables I’ve experienced and I personally would prefer something a little thinner for truly portable use, but for my purposes of airplane and seated listening, I had no issues at all with this cable. I will say that as thick as it is, this cable is remarkably flexible.”

Roon Labs Nucleus Plus Server $2499 Review

March 16, 2020 Comments Off on Roon Labs Nucleus Plus Server $2499 Review

https://positive-feedback.com/reviews/hardware-reviews/roon-labs-nucleus-plus-server/

“In the following weeks, Kevro put me in touch with Roon’s VP of Marketing, Dipin Sehdev, who suggested that I try and resolve my issues using their forum, and he very kindly got Dylan Caudill, the Roon Manager of Technical Support, to focus on my issues to hopefully resolve them expeditiously. Dylan tried mightily to get my Nucleus Plus to see, read, and index the music files on all my hard drives, but we had limited success. 

Then Dylan suggested a maneuver on my iMac that I found quite complicated, and so I sought the help of Kevro to get it done. They introduced me to a more experienced Roon dealer in Alberta who is very knowledgeable and helpful. He proposed a real time TeamViewer session so that he could see and control my iMac to complete the maneuver that Roon required. During the TeamViewer session, in less than 30 minutes, the dealer also checked out my iMac and found solutions to every issue that Roon had been grappling with and he fixed every one of them. He also made a whole lot of setting adjustments within Roon so that the Nucleus Plus was not just up and running, but also firing on all cylinders. I could finally begin the review in earnest.

Aurender A30 Digital Music Player Review

March 15, 2020 Comments Off on Aurender A30 Digital Music Player Review

https://www.hifinews.com/content/aurender-a30-digital-music-player

“If all that sounds a bit ‘hi-fi’, it’s because that’s the way the A30 sounds – clear and to the point with everything under tight control. As a result it delivers a sound that’s packed with detail, more so even with CD rips that I suspected sounded a smidge better than the original in some cases, thanks to the multiple-reads and error-correction used in the ripping process.

Even with pretty raw-edged music, for example some of the bluesier tracks from ZZ Top’s Rio Grande Mud [from The Complete Studio Albums 1970-1990; Warner Bros, 192kHz/24-bit], the A30 kept its cool. Here, where the band winds up its sound into the form for which it would become famous, the A30 makes every nuance clear without the merest suggestion of harshness. Its sophistication never slips…”

Bryston’s 28B Cubed Power Amplifiers $25,000 Review

March 15, 2020 Comments Off on Bryston’s 28B Cubed Power Amplifiers $25,000 Review

https://www.tonepublications.com/review/brystons-28b-cubed-power-amplifiers/

Finally, the 28Bs are available with 17 inch or 19-inch front panels, in silver or black. I love the silver, and it’s worth calling attention to the fantastic job Bryston has done in the machine work on these cubed amplifiers. It’s a tremendous aesthetic combination – paying homage to the massive power contained within, yet not overdone in the least. The only decision is whether to get the front handles or not. They look great without, yet are so much easier to handle with, and both models have the rear mounted handles.

Honestly, that’s the biggest decision you face. When we did our initial look at the 28B Cubed monoblocks last year, we gave them one of our Exceptional Value Awards for 2019. Yes, $25k is not an idle purchase, but you won’t find a $100k pair of amplifiers that best these. Considering the build quality, Bryston’s dedication to their customers and dealer network, and the top-level performance, if that doesn’t say exceptional value, I don’t know what does. These amplifiers were an absolute pleasure to use.

Pro-Ject X2 Vinyl LP Turntable $1299 Review

March 14, 2020 Comments Off on Pro-Ject X2 Vinyl LP Turntable $1299 Review

https://positive-feedback.com/reviews/hardware-reviews/pro-ject-x2-vinyl-lp-turntable/

“I listened to all types of music while auditioning the Pro-Ject X2, not only for casual listening, but as a source for reviewing other types of gear that was passing through this system for audition. The $1495 Chord Huei phono stage was a great match for this turntable. I don’t think one needs to spend this much on a phono preamplifier to enjoy the Pro-Ject X2, but if one can afford it, I think it would be a great match. But again, one can still enjoy the X2 with a more modest phono stage. The Chord Huei made for an excellent review tool, and made it so I could accurately hear what the Pro-Ject X2 was sonically made of.

In the Huei review I talk about which LPs were in the record rack adjacent to the system, which contained albums by David Bowie, Killing Joke, Joy Division, King Crimson, and Michael Legrand. This list is a relatively limited one, and I suppose reveals what type of mood I was in during this review period! These records also revealed that the Pro-Ject X2 was able to handle very dramatic changes in amplitude due to the macrodynamic swings that are present on almost every album I played. The X2 proved that it was an excellent tracker, as I didn’t even think about whether or not this turntable / tonearm combination would be able to track these records. The records spun, I listened.”

KEF R3 Bookshelf Loudspeakers Review

March 14, 2020 Comments Off on KEF R3 Bookshelf Loudspeakers Review

https://positive-feedback.com/reviews/hardware-reviews/kef-r3-bookshelf-loudspeakers/

“The R3 are 3-way bass reflex speakers with the following compliment of drivers: 1 – 6.5′” aluminum composite woofer, and a 12th generation version of KEF’s venerable Uni-Q driver array. The Uni-Q is KEF’s combination midrange and tweeter driver, consisting of a 5.25″ midrange driver, paired with a 1″ aluminum “Tangerine Wave Guide” dome tweeter residing in its center. The Uni-Q driver design is unique in that it allows the midrange and high frequency bands to speak together with one unified voice, giving music a more natural, lifelike presentation. 15-180 watts of amplification is recommended. The R3 is 87dB efficient with a 38Hz – 50kHz frequency range on paper, although my ears tell me it reaches as low as 40Hz. Relatively easy to power with a 4 ohm impedance rating, minimum 3.2 ohm, I had no trouble driving the R3 to ear splitting levels with a 100 watt per channel NAD M10 currently in for review. As mentioned above, the R3 are rear ported and include a set of foam “bungs” used to help tune the bass as desired, based on room conditions and taste. The R3 also come with high quality bi-wireable binding posts. In fact, everything about these speakers is high quality, from the look, feel, build quality, and finish to the packaging. Naturally none of this would matter unless they also sounded as good as they look and happily they do.”

Qln Prestige Three Loudspeakers Review

March 13, 2020 Comments Off on Qln Prestige Three Loudspeakers Review

https://www.audiophilia.com/reviews/2019/12/19/59hvvshkumcd2ft8l8oglik1j7r18c

All directions were followed. Run in was the standard 50 hours. They were plenty good cold, and, over the break in, continued to remain focused with a rich midrange and deep bass. I noted a little brightness toward the end of break in, in contrast to the smooth treble heard on initial setup, but this subsided quickly, and the Threes continued to improve through the two month review period with more coherence and enviable transparency.

Moving the speakers should be a two person job. All tools are provided to attach the feet and pucks. I placed the speakers 9 feet apart, 3 feet from side and back walls (music room: 14 feet wide, 18 feet in length with a 10 foot ceiling). Like many box speakers, they prefer a slight toe in. The Qlns worked beautifully in my room but I would imagine will work equally well in larger rooms.

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