Forza AudioWorks Claire HPC MKII Cable REVIEW

March 16, 2015 Comments Off on Forza AudioWorks Claire HPC MKII Cable REVIEW

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“I first asked Forza which cable would work best with the very neutral GMP 8.35D which I was modding to accept Audeze style cables. They suggested the Claire HPC MKII as it is known for adding more body and soundstage.”

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Sony Flagship XBA-Z5 IEM $700 Review

March 16, 2015 Comments Off on Sony Flagship XBA-Z5 IEM $700 Review

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“I would expect for these headphones to be three times the size for the amount of dimension they portray. On the surface, these aren’t the head turning hotties like some of the other universal IEM’s out there, but they are appealing in a classic, minimalist way. They are solidly built and easily handled all of my unnecessary roughness like a champ.”

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HERETIC AUDIO HURON 3SV FLOORSTANDING LOUDSPEAKERS REVIEW

March 16, 2015 Comments Off on HERETIC AUDIO HURON 3SV FLOORSTANDING LOUDSPEAKERS REVIEW

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” It can work surprisingly close to the rear wall (although anything closer than about 30-50cm from the back wall compromises soundstage width and especially depth), and is equally at home in free space. Hi-Fi+ might stress the point at times, but the fact remains room sizes (especially those in the UK and some parts of Europe and Asia) are getting smaller, and our loudspeakers need to be more pragmatic with respect to placement and positioning.”

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Wells Audio Innamorata amplifier review – Video

March 16, 2015 Comments Off on Wells Audio Innamorata amplifier review – Video

BRODMANN F2 REVIEW

March 15, 2015 Comments Off on BRODMANN F2 REVIEW

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” The F2 is a curious mix of the truly wonderful, and the occasionally flat-footed. But then, all loudspeakers are compromised, your weapon of choice depends on what you want it for, and I’d say the Brodmann F2’s compromises are well chosen, all things considered. ”

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Sennheiser Momentum In-Ear Review

March 15, 2015 Comments Off on Sennheiser Momentum In-Ear Review

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“The midrange of the Momentum is mildly recessed, in keeping with a v-shaped sound signature. However, due in large part to the plentiful bass, it does not sound overly thin. Clarity is limited slightly by the recession and bass boost, but on the whole it is more than respectable. ”

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OPPO HA-1 DESKTOP HEADPHONE AMPLIFIER/DAC REVIEW

March 15, 2015 Comments Off on OPPO HA-1 DESKTOP HEADPHONE AMPLIFIER/DAC REVIEW

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” It also has sufficient power to drive very inefficient headphones, provided that you use the HA-1’s balanced outputs, which have considerably more dynamic ‘oomph’ than the single-end outputs do. If you’re the sort of listener who, down deep, prefers a one-stop shopping experience, you could order up a pair of Oppo’s PM-1 headphones (or perhaps the new cost-reduced PM-2 headphones) plus an HA-1 amp/DAC and live quite happily ever after.”

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MartinLogan Motion 35XT Loudspeakers

March 15, 2015 Comments Off on MartinLogan Motion 35XT Loudspeakers

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” The Motion 35XT’s combination of precise imaging, delicacy, and harmonic unity resulted in the best of both worlds. The sound was sufficiently bloomy, but with an emphasis on midrange musicality that never sacrificed accuracy. There was none of the wiry sound that tells me I’m listening to recorded sound instead of live sound; rather, the MLs produced a solemnity that favored airy highs and reassuring lows”

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JH Audio Roxanne in-ear headphones $1,649 Review

March 14, 2015 Comments Off on JH Audio Roxanne in-ear headphones $1,649 Review

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” Even so, I’d still give the nod to the best full-size, over-the-ear headphones like the Audeze LCD-X for producing more open and spacious sound than any in-ear headphone, including the Roxanne. Bass is another area where the over-the-ear headphones outpace in-ears, but as far as in-ears go, the Roxanne’s bass power and definition are state-of-the-art. The LCD X is a very large headphone, so it’s nowhere as portable as the Roxanne.”

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KEF Reference 5 Review

March 14, 2015 Comments Off on KEF Reference 5 Review

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” The Reference 5 is bass-reflex loaded by two rear ports, but KEF provides a choice between two bass tunings. Four heavy-duty chromed terminals provide for bi-wiring, with ‘taps’ in between to make or break the internal links that allow for single wiring.”

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