Astell & Kern AK240 $3310 Review

February 20, 2015 Comments Off on Astell & Kern AK240 $3310 Review

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” It really does feel perfect to me though, especially with the beautiful Minerva leather case. I do have a very small criticism of the volume pot though. It feels a little bit flimsy, a bit weak and easy. This phenomenon is often referred to as knob feel and it is something that I think everyone will understand. This knob feel just isn’t right for me I would like it a touch stiffer and a bit more solid. That would be perfect!”

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MartinLogan Motion 60XT Floorstanding Speaker Reviewed

February 20, 2015 Comments Off on MartinLogan Motion 60XT Floorstanding Speaker Reviewed

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” I started out by placing the Motion 60XTs in the same position I use for my usual Revel F206 speakers: front baffles 38 inches from the wall behind the speakers, with the speakers placed eight feet apart and nine feet from my head when I sit in my usual listening chair”

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Compared HiFiMAN HE-560 & Audeze LCD-X & Sennheiser HD800

February 20, 2015 Comments Off on Compared HiFiMAN HE-560 & Audeze LCD-X & Sennheiser HD800

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” The bass on HE-560 can hit low, with authority and impact. It is also quite fast and tight, presenting a very good amount of detail. What I love about it is that sometimes it surprises you when it seems to appear from nowhere and it shows you how deep it can go and how hard it can hit. It’s very well integrated in the rest of the spectrum and gives the sound a fast and energetic sound signature, keeping the sound on the neutral side.”

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Cavalli Audio Liquid Lightning 2T $4250 REVIEW

February 19, 2015 Comments Off on Cavalli Audio Liquid Lightning 2T $4250 REVIEW

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“Instead what I heard were a very organic and real sounding vocals (both male and female) that were able to really pull me into the music and keep engaged. Amplifiers like the Stax SRM-727II or SRM-007t had a bit of a haze in this area and somewhat of a mid-range withdrawal that over time seemed to put a wedge between me and the music. Thankfully both Cavalli amps don’t suffer from this and offer a portrayal of the music that just keeps you coming back for more. –

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GRADO REFERENCE SERIES RS1E HEADPHONES REVIEW

February 19, 2015 Comments Off on GRADO REFERENCE SERIES RS1E HEADPHONES REVIEW

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” As is Grado’s way, these are absolutely not bass monsters — opposed to what has become the standard these days of a bump in the upper bass. We tend to prefer a flat sound, yet even we found the Grados sounding not exactly bass light but certainly lean.”

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Penaudio Charisma Review

February 19, 2015 Comments Off on Penaudio Charisma Review

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” As for the position I advise you to use 70 cm floor stands. I also advise to keep the Charisma as distant from one another as you can. There is no need to point them towards the listening point and they have to be at at least one meter from the back wall. They can play also close to the back wall and the side walls but in this case the mid low range can be excessive. The loudspeakers can also be pointed toward the listener and in this case you have just a bit more of high range but the sound stage is less wide.”

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SOUND BLASTER E5 REVIEW

February 19, 2015 Comments Off on SOUND BLASTER E5 REVIEW

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” Sadly the E5 does not come with any lightening connectors or short OTG cables so you will have to source that yourself or use the one your iGadget or Android device came with. The smaller micro USB port to the far right is used for either charging the E5 or for interfacing as a DAC/AMP with your pc or laptop or mac of choice.”

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VIOLECTRIC V281 REVIEW

February 18, 2015 Comments Off on VIOLECTRIC V281 REVIEW

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“If you’re looking for a top class solid state amplifier that offers dual Single Ended headphone outs and one 4 pin XLR Balanced out, this could be just the amp for you. But there’s more: there’s an optional remote control and the V281 can serve as a pre-amp too. It maybe isn’t the most elegant looking piece of hardware like the V200 was, but once you’ve listened to the superb balanced out, you’ll be hooked. I’m even changing my non balanced headphones to balanced ones.”

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Burmester 102/101 Integrated amplifier Review

February 18, 2015 Comments Off on Burmester 102/101 Integrated amplifier Review

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” On a Tony Faulkner orchestral recording, Rachmaninov Symphonic Dances, we were impressed by the Burmester’s ability to provide flawless deep bass, conjuring up almost subterranean sounds from a truly black and hash-free background. And we found that the 102/101 combination could really give convincing weight and scale to a concert grand piano – we really enjoyed Patrick O’Byrne playing Ravel on Stockfisch Records

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AURENDER FLOW

February 18, 2015 Comments Off on AURENDER FLOW

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” Seriously, a protective case should have holes that make it usable whilst out and about. Or, if it ain’t gonna have holes, it should be made of real, Italian leather by a real Italian. At least there are four silicon feet at the bottom to protect the FLOW, and your desk, one from the other.”

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