BMC PureDAC
October 13, 2015 Comments Off on BMC PureDAC
In my full XLR connected system, I found that setting level output to 61 was about the best compromise for all musical genres. Sometimes playing orchestral recordings, I would reduce the output level at the BMC to 59, but increase the overall volume on my pre-amp for a more laid back, fuller and in scale orchestral presentation or when playing some nice female vocal recording like Stacy Kent, I would increase the BMC output slightly to 63, and reduce the pre-amp volume slightly to get a more focused vocal effect, so that illusive 50 cent mouth so craved by a certain audiophile group is easily attainable here! Doing that bring about a more luscious voice and a deeper, more tonic filled saxophone sound of Jim Tomlinson(Stacey’s life & musical partner), giving a more intense experience to the overall musical enjoyment.
Audiophilepure 
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