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“s. The Metro Grand Reference reproduced Frisell’s guitar with excellent midrange clarity, and when it enters on the verse, Viktor Krauss’s double bass had excellent weight. However, I kept feeling, as the song relentlessly grew in complexity and loudness through its almost 12 minutes, that Kenny Wollesen’s cymbals lacked air. I had to sit upright to get more top-octave energy, but it was still not quite enough.”

Tagged: Nola Metro Grand Reference Gold loudspeaker

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