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What was also immediately apparent with this choice of music was how well the speakers performed at low volume levels. There is a tendency to crank up the volume on orchestral music to achieve concert hall levels, which is often an unintended antidote for speakers that do not perform well at low levels. Concert-hall volume for baroque music is actually quite modest, and many speakers stumble achieving a sense of detail and pace at such levels. Not so with the Olympica IIIs, which were lithe and nuanced at the appropriate low levels

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Tagged: Sonus faber • Olympica III Loudspeakers

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