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“Sonically, the same care factored. My choice of electronics mixed a bit of weightiness (Pass) and textural softness (Nagra) with timing acuity from a non-filtering 24/192 R2R converter. All-silver cabling throughout maintained speed and articulation yet nothing got bleached or bright. The G1003MG were not only admirably linear in response but very low in reminders of artifice. By that I mean a sense of cones and domes labouring hard in a stuffy box and struggling with/against a room. Overly ambitious port tunings usually make themselves heard not in a good way. Here that didn’t figure. Bass weight was surprisingly mature, extension lacked the full first octave. Because I had it, I eventually snuck in our Zu Submission sub below 40Hz for some infra-bass assist. For the vast majority of music it wasn’t required at all. For certain ambient fare, it made a nice difference on synths and related ambiance.”
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