Audiophilepure

Read Here

“But as impressive as these Vienna Acoustics speakers are on large-scale classical recordings, their quality really starts to shine on smaller, more intimate material, where their portrayal of individual instruments is almost ghostly at times. Just listen to the track “St. Thomas” from Sonny Rollins’ Saxophone Colossus LP [Prestige OJC20 291-2] and you’ll hear it in the attack and hollow tone, the different volume and timbre of each of Max Roach’s drums. You’ll hear it in the unmistakable nature of Rollins’ sax, the column of vibrating air and bell-mouth that produce the sound. And you’ll hear it in the effortless separation of the four instruments on this mono recording. There’s a real sense of instrumental presence and substance, harmonic development and tonal breadth to the sound, with no glaze, glare or edge to distract from the work and identity of the instruments.”

Tagged: Vienna Acoustics Liszt Loudspeakers - Review

Comments are closed.