Audiophilepure

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” Low-frequency extension plummeted forcefully into the 30-cycle range in my room. During Copland’s Fanfare percussion, timpani, and bass drum cues were extended and well defined. Dynamic energy in these octaves was also impressive, and never failed to shore up the initial transient impact of those big drums with a solid, trailing punch. The bass bloom factor—the sense of low-frequency air being launched into the soundspace—was very good for this combination of speaker volume and driver size. And port noise was all but “invisible” to the ear. Only as the D7 reached its lower bass limits did it suggest some editorializing. In such instances, the bass drum impacts or electric bass energy would loosen slightly, with the ultimate slam softening and dispersing into the soundspace without decisive focus. On balance, however, and to the D7’s credit,”

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