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” Throughout this evaluation there was one trait that, like an addiction, continually fueled my excitement for the Treo CT. It was the speaker’s of-a-piece coherence. This is not always a given in the high end. Many multiple-driver loudspeakers—primarily designs with three or more transducers—fail to speak with one voice. Instead, the listener can identify each driver as it jockeys for prominence up and down the front baffle. In contrast, the Treo CT was like a top-drawer two-way compact—a segment long celebrated for its ability to reveal three-dimensional space while remaining invisible as a sound source. Similarly, the Treo CT (far better proportioned across the frequency spectrum than a two-way) projected a vast image of the legendary Chicago Symphony Orchestra performing the Beethoven Ninth. Its spread across the soundstage was replete with height cues that reached well above the speaker, and depth cues that drew my eye to the back wall of the hall each time the percussion section lit up and the vast chorus rose in intensity.”

Tagged: VANDERSTEEN AUDIO TREO CT LOUDSPEAKER

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