PEAR AUDIO BLUE KID THOMAS TURNTABLE REVIEW
June 21, 2016 Comments Off on PEAR AUDIO BLUE KID THOMAS TURNTABLE REVIEW
” Regardless of which cartridge was mounted on the tonearm, music never ventured into aggression, never lost drive, and never lost macro-dynamic impact. The soundstage was always wide and deep with the degree of saturation dependent of the cartridge installed at the time. The noise floor remained subjectively low—a trait not often found to this degree on sub-$10,000 ’tables. With either cartridge, it didn’t matter if the music played was jazz, classic rock, heavy metal, hip-hop, folk, blues, or classical. Whether solo piano or orchestral crescendos, the ’table performed with the same fundamental sonic character.”
Audiophilepure 
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