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“The hi-rez files I have, such as Charles Mingus’s The Black Saint and the Sinner Lady (24/96 FLAC, Impulse!), had a special kind of clarity that was tactile, organic, and startling, with more natural timing and a tonal richness without opacity. “The Night Has a Thousand Eyes,” from John Coltrane’s Coltrane’s Sound (24/96 FLAC, Atlantic/Rhino), was presented much more cleanly. Coltrane’s tenor sax was more penetrating; Elvin Jones’s drumming was snappier, his cymbal work more sparkling, his kick drum thunkier and deeper; and, with McCoy Tyner’s piano and Steve Davis’s bass, there were more textural contrasts among all four instruments. It all made for a far richer, more complex listening experience than I’d had before adding the fo.Q footers.”

Tagged: fo.Q Modrate HEM-25 Pure Note Insulators

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