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” In 1985, Men at Work released their third album, the largely ignored Two Hearts. I think it’s well recorded, and through the Wadia a315 it sounded mostly devoid of the early-digital harshness of so many CDs of that era. In “Maria,” Colin Hay’s voice jumped confidently onto the soundstage after a brief intro of maracas and effects-laden guitar, then lingered clearly in its own space with just a bit of reverb. Hay’s voice is not bass heavy, but his slightly raspy sound as he strains for the higher pitches was presented clearly in a nice contrast to Renée Geyer’s silky-smooth voice blooming atop the sounds from the rest of the band. ”

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