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‘The Elysium feather like lightness ability was quickly revealed with the wonderful Hans-Martin Linde & Konrad Ragossnig: Musik für Flöte und Gitarre. As non-complex as baroque music might seems, its not! There is always a hidden mosaic structure behind the baroque’s modesty. Its actually the purity, that is never easily chased within the high-end audio reproduction realms. Especially in the ultra-fi domain fortitudinous nature is more then desired and Trafomatic Audio Elysium managed to act homogeneously within baroque elementariness. The interplay of guitar and flute creates particular vibrancy and note overlapping, that demands more then typical high-end audio amp’s gestalt in order to form the objective and fully believable illusion. Elysium remarkable straightforwardness and naturalness, had encapsulated naiveté and sophistication with impressive classicality, that not only heavily stood out of the crowd, but have also created a norm of itself.”

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