Audiophilepure

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“At more typical listening levels, the improvements in the mids and the highs revealed themselves readily when I played any good recording of acoustic piano. Hammer strokes sounded purer and more deliberate than I recall from the One — I was consistently drawn to the clarity and consistency of the References’ reproduction of pianos. In “Spanish Steps,” for example, it was always Morrison’s sax that drew most of my attention, but through the References, Neil Drinkwater’s piano held my focus just as much. The sound of cymbal crashes was also improved, in terms not only of cleanness but of liveliness — through the References, the highs were just a little more immediate, precise, and unrestrained.”

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