Audiophilepure

Read Here

“Likewise, I heard a similar but different sense of scale and proportion to the playing in the 1965 Martha Argerich recording of the Chopin Piano Sonata No.3 in B Minor (Op.58 [Warner Classics 825646 372867]). In this case, it was the clarity in the lines and phrasing, the balance between left and right hands that illuminated the piece, a sense of musical shape and purpose built on the system’s ability to be both loud and quiet, delicate and powerful simultaneously, preserving the attack, poise, weight and placement of even the quietest notes alongside the loudest and most suddenly explosive. Even the rumbling of a repetitive bass arpeggio couldn’t disturb the crystalline clarity and astonishing delicacy of the upper registers, or the way that each note was spaced and placed with musical purpose.”

Comments are closed.