Audiophilepure

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“Here, in the same room, Sonus Faber’s new Aida produced some of the best low-frequency response I’ve heard—much like that of Marten’s Coltrane III, which made me realize how much better my room’s bass could be than what I’d been getting from the Wilson Alexandria XLF. The Wilson Alexx fixed that. And now the Aida II—which costs 6.5 times the price of the Amati Homage in 1999—fixes it even better.

The rest of what the Aida does—especially its ability to perfectly hang together without ever revealing a sonic seam (an amazing design feat, considering its considerable complexity), and how well it performed with every type of music I played, or against any checklist of sonic parameters you might come up with—produced the kind of sonic thrills and solid, believable musical performance to which $130,000 entitles you. And my experience tells me that you needn’t fear putting a pair of them in a room of relatively modest size.

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