Audiophilepure

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“The effect of all this effort to deliver clean AC power was not subtle. Every aspect of the sound is touched, elevated, and refined. Everything we seek in great sound, dimension, depth and space, color, dynamics, transparency, and detail are boosted in seeming equal parts. Without the P series in the chain, the sound I have lived with, while enjoyable, now can be characterized as “you don’t know what you are missing until you know what you’ve been missing.” Like moving from an adequate camera to a professional caliber camera in the hands of a great photographer, the sound-picture really pops, where before laid a bit flat in retrospect. I’m wracking my brain trying to pick one aspect of the sound that benefited most, but since AC power is the life blood of all aspects of reproduced sound, it makes sense as to why it is so difficult to pick just one, or even two qualities that jump out. It really depended greatly on what ever recording I was listening to as to what the dominant strengths or characteristics of the recordings were. Some recordings such as Stanley Clark’s East Riverside Drive, with its pounding bass on “I’m home Africa,” a track played through every component I have ever reviewed, the low end gained definition and greater focus, becoming a more discrete part of the sound. Mid range heavy recordings, such as those by Johnny Hartman and John Coltrane, reveals subtle inflections and denser color of both Hartman’s honey toned baritone and Coltrane’s flying, lyrical alto runs.”

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