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“One of my long-term reference recordings is Robbie Robertson and the Red Road Ensemble’s Music For The Native Americans (16/44.1 FLAC, Capitol), which I use for its sparkling clarity and the openness of its soundstage as Robertson explores the complex rhythms of the music of his native heritage. The Halo JC 5 handled the dual woofers and electrostatic panels of my ESL 9s in a way that re-created a huge soundstage with scary-good imaging. Through the Anthem M1s the sound was equally big and precise, but the bass lacked a bit of the slam and weight of the JC 5 in such cuts as “Akua Tuta” and “The Vanishing Breed.” This was also noticeable on Robbie Robertson (16/44.1 FLAC, Geffen) — the heartbeat-like rumblings in this album’s “Fallen Angel” had a massive weight that the M1s couldn’t quite duplicate. My head tells me I should be more impressed with the Anthems’ neutrality, but my heart belonged to the Parasound — my visceral reaction to its exciting sound was undeniable.”

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