Audiophilepure

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These non-harmonic, annoying, and aggravating distortions are vanishingly low in the Aegir. Class A operation, wide bandwidth frequency-response, and DC coupling combine to produce an exceptionally natural sonic picture, one both high-resolution and pure in its production of instrument tonality. Harshness glassiness, steeliness, and other un-natural sonic artifacts are simply gone. Soundstage depiction is literal and faithful to the recording: pan-potted, mono, studio-constructed stereo images are revealed as such; naturally recorded orchestra music that captures the hall ambience and size and depth of the venue is clearly depicted.

If one only considers the Aegir’s sonic performance per se, it would qualify as a stone bargain for those of High-End audiophile sensibilities. Add its music-making abilities – its boogie factor, “PRaT,” drive, dynamics, involvement, foot-tapping, ass-shaking, head-bopping, and “Air”-instrument-inspiring performance – (areas in which the UK school- Linn, Naim, Rega, et al., have long ago set the template) and you have a sonic/music-making ”

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