Audiophilepure

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“The Magneplanar’s strongest tonal suit was a full-bodied lower-midrange/upper-bass that fleshed out the power range of an orchestra—ie, up to about 500Hz—with justice for all. Reproduction of cello was especially impressive: gutsy, and rhythmically precise—no boxy resonances to smear pitch and intonation. I guarantee you this: anyone who’s spent their audio career listening to boxes will no doubt marvel at the fact that such airy, detailed, and precise bass lines are possible in a speaker. However, there was no getting away from the fact that the lower midrange was emphasized in relation to the mids and treble.”

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