September 26, 2019 § Leave a comment

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“I enjoyed similar benefits when I played the ‘Triptych (Excerpt)’ from A Company of Voices – Conspirare in Concert [Harmonia Mundi, 16/44.1]. This exuberant and syncopated piece for percussion ensemble and concert choir is not one that is easy for most DAC’s to handle, in part because of the large-scale dynamic swings involved and the perhaps slightly over-modulated choral swells that at times threaten to become ragged and strained. However, with the M Scaler assisting the Hugo TT 2, the timing and timbres of the percussion ensemble instruments improved dramatically, with more incisive transient sounds, rounder tonalities all around, and the all-important qualities of ‘swing’ and dynamic ‘jump’ in evidence. Individual choral lines also became clearer and more intelligible, while the potentially problematic vocal swells sounded better controlled and more expressive, with elements of congestion mostly (though not entirely) cleared up. In addition, the sounds of the concert venue were captured more realistically (I can say this with some conviction because I was present in the hall on one of the evenings when the recording was made) and with appropriate stage width and depth. Once again, the M Scaler/Hugo TT 2 pair made an already good recording sound a whole lot better.”

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You are currently reading CHORD ELECTRONICS HUGO TT 2 DAC/M SCALER UPSCALER REVIEW at Audiophilepure.


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