Audiophilepure

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“While listening to the Benjamin Britten/Peter Pears/ London Symphony Orchestra version of Elgar’s Dream of Gerontius (2 LPs, London OSA 1293), something about the Jadis amp’s playback characteristics drew my attention to the harp, a key instrument in the work’s introduction. Each plucked note had pretty good—not top-shelf, but perfectly satisfying—physicality of attack, but even better decays: maybe a slight bit too much overhang, but in a pleasant, musically consonant way. And the physicality of those notes: Wow! Every one was gorgeous, every one a mini event.”

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