June 6, 2020 § Leave a comment


“So what we have here is an amplifier which uses considerable technical skill to interfere with the music signal as little as possible. Protection of phase relationships and almost obsessive preservation of fine detail pays enormous dividends when it comes to the rendering of the musical experience. Large-scale is more than adequately catered for: the LSO/Alwyn Tchaikovsky ‘Capriccio Italien’ [Decca] has some phenomenal dynamic swings and leans towards bombast in places, and there was no question the E-370 was up to the task at hand. My listening notes just read: ‘Bloody hell!’, which is shorthand for ‘a rollicking ride, which nevertheless preserved an excellent sense of the passing of thematic material around the orchestra – something often lost in translation’. It’s no one-trick pony, either. I’ve already praised the amp’s felicity with contemplative Scandy jazz, and now ‘When I am laid in earth’ from Purcell’s Dido and Aeneas [Apex] was almost unbearably poignant. The phrasing, the way the searing melodic line plays against the implacable ground bass, and the precise spatial placement of solo, choir, and orchestra, all contributed to a deeply affecting performance.”

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You are currently reading ACCUPHASE E-370 INTEGRATED AMPLIFIER REVIEW at Audiophilepure.


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