April 6, 2021 § Leave a comment

Raidho’s latest two-way is the most evenly balanced small speaker they’ve yet produced, adding convincing and beautifully judged body and weight to the marque’s traditional strengths of transparency, speed and clarity. The results are significantly more convincing than those achieved by the D1.1 or the C1.2, but I’d still hesitate to call this a speaker for everyman. Better balanced yes – a genuine all-rounder, not so much. The TD1.2 doesn’t do scale or allow music to swell as convincingly as the Stenheim Alumine 2SE or the Wilson Duette. It lacks the astonishing air and absence of the best diamond tweeters and still sounds a little closed in at high frequencies, but this is a level of criticism that can be applied to any speaker and small stand-mounts more than most. So no, this isn’t a speaker that’s a slam-dunk for every system or every listener. But if you value its special qualities and you get to hear them, then you might well struggle to find an acceptable alternative. Its poised delicacy, intimacy and precision, its unusual combination of relaxed unforced ease and energetic dynamic response make it arresting when it comes to appreciating a musician’s technique, in isolation or in ensemble. Listen and you might discover hidden musical gems in the most unlikely places; listen and you might just discover the heights a great guitarist can reach in terms of musical expression. The TD1.2 might not fool you into thinking you are there, but it sure as shootin’ will make you wish you had been!

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You are currently reading RAIDHO TD1.2 STANDMOUNT LOUDSPEAKER REVIEW at Audiophilepure.


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