Linn Klimax DSM network streaming preamplifier Review
November 29, 2021 § Leave a comment
A reviewer’s job is to trip products up, but the best products trip us up instead. When this happens, we play music that we think will show limitations in a device, and they end up highlighting their strengths instead. So it was with the Klimax DSM; I played the Overture to The Pirates of Penzance [D’Oyly Carte, Decca] which is a great test for imaging, but ended up being so musically bouncy and fun (as it should be) I felt like I should have mutton-chops and be wearing a smoking jacket. I played ‘Back In Black’ by AC/DC [Atlantic] on Tidal and air-guitared my way to dislocating a shoulder and I played some Miles Davis to check on that complex interplay on Shhh/Peaceful [In A Silent Way, Columbia] and now I have a $1,000 per day coke habit. And that’s the big thing about the Linn Klimax DSM; you feel rolling out the same old terms for audio performance when you are dealing with a product that is so very much about the music isn’t just wrong, it’s positively asinine. Of course, it ticks all the audiophile boxes of good soundstaging, outstanding levels of detail, excellent vocal articulation, superb image solidity and dynamic range and fluidity of sound that could give a turntable a run for its money, but that’s just par for the course in high-end streaming. What this gives over and above that is a sense of being as one with the musical intentions of the composer or musicians.