Audiophilepure

Stage III Concepts Ckahron Ultimate Statement XLR interconnects Review

With the first pair of Ckahorn XLR staying put and adding the second, longer pair of the Ckahron XLR between the Xs Preamp and the XA200.8 monoblocks, alternating with the Bricasti Design M28 monoblocks, there’s a substantial sense of purity in quietness of noise in the Ckahron’s demeanor. In the rarefied space, music takes on the most palpable presence with the signal path laid out by the cable itself from either the Bricasti Design DAC or the Xs Phono to the Xs Preamp, and onwards to the monoblocks.

Playing the Proprius Cantate Domino LP, the Stage III redefined the experience. In speed, the Stage III was expedient and utterly composed. In dynamics, the contrasts between the choir, the brass and the pipe organ were at its most startling and engaging. In tone, it showed the Stage III XLR was every bit as supremely vivid and uncensored as the A.R.T. RCA. I could at once relax and entrust the Stage III in bringing some of the finest music into my life. It was the first time two pairs of balanced cable in my system were showing me how vast the record was in context and emotions. Though featuring a lone trumpet and a pipe organ, the two pairs of Stage III XLR together conveyed unprecedented effectiveness and persuasiveness of palettes of tonal richness, at same time rendering the performance as tonally harmonious and supremely easy on the ear.

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