Audiophilepure

https://www.hifinews.com/content/alta-audio-alec-loudspeaker

As an example, the bass guitar on Simply Red’s ‘Sad Old Red’ [Picture Book; Elektra EKT27 960 452-1] was superb – each note lithe, clean and crisp, along with hand movements along the fretboard. In contrast, on the Cigarettes After Sex track, the bass strings sounded indistinct and somewhat bloated. Moreover, the bassline on Jenny Jones’ ‘Blessed Northern Daughter’ [Go! Discs GODX 103] was gently glossed over, although the weight and punch of the kick drum went some way to disguise it.

Conversely, the vocal ‘pop’ in the second verse of ‘Somewhere, Somebody’ from Jennifer Warnes’ The Hunter [Private Music 261974], which is usually firmly in subwoofer-only territory, was easy to hear. In addition, the rib-tickling bass underpinning ‘Turning Ground’ on Caroline Lavelle’s Spirit [N-GRAM Recordings 4509 98137 2] was present and correct, and didn’t modulate the vocals at all – an unwanted effect I have heard before through lesser designs. When the Alecs get it right, they get it very right indeed.

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